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The Flower of Destiny 

An Historical Romantic Drama 
In Six Tableaux 






The 


Flower of Destiny 

An Historical Romantic Drama 
In Six Tableaux 


By 

William Dana Orcutt 

and 

Louie Thompson Orcutt 

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J O 

> 'J •> 

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Printed 

But not Published 


UBRARY of CONGRESS 
Two CoDies Received 

MAR 21 1906 

_ Copyright Entry / 

Tl U^r. Ltfoob 

CLASS W XXc. No. 
° COPY B. 


f 63 - 


^3 





Copyright, 1906 
By William Dana Orcutt 


THE UNTYEKSITY PRESS, CAMBRIDGE, U. 8. A. 






SUMMARY 


Tableau I. — Gentlemen’s room at the Countess de Montijo’s. 
London, 1847. Late evening. 

Tableau II. — Garden party at Lady Blessington’s. London. 
The following afternoon. 

Tableau III. — The Promenade de Sept Heures. Baden. 
Morning, three months later. 

Tableau IV.—The Salle des Ambassadeurs at the Elysee Palace 
during President’s reception. Paris. Evening, December 2, 
1851. 

Tableau V. — Terraces and garden of the Royal Palace. Com- 
piegne. April morning, 1853. 

Tableau VI. — A clearing in the forest of Compiegne. Three 
hours later. 





CHARACTERS 


Conspirators with 
- the President in 
the Coup d’etat. 


Prince Louis Napoleon, afterwards President of France and 
Emperor Napoleon III. 

Count D’Orsay, stepson to Lady Blessington’ 

Lord Douglass, cousin to Louis Napoleon English friends 
Lord Eglinton of 

Lord Burleigh Louis Napoleon. 

Hon. Mr. Evelyn 

Comte de Persigny, head of the Bonapartist' 
party in Paris 

Mocquard, secretary to the President 
Due de Morny 

✓ 

Baron Rothschild. 

Prince Napoleon, cousin to Louis Napoleon. 

Count Camerata, son-in-law to Baron Rothschild and cousin to 
Louis Napoleon. 

Jose, retainer at the Montijo’s. 

Eugenie de Montijo, Countess de Teba. 

Countess de Montijo, mother to Eugenie. 

Lady Blessington. 

Princess Mathilde, cousin to Louis Napoleon. 

Princess Clotilde, cousin to Louis Napoleon. 

Soldiers at the Elysee Palace, Ladies and Gentlemen of 
the Palace, Postilions, Picquers, Servants, etc. 


[N.B. Doubling possible .] 

























































The Flower of Destiny 


TABLEAU ONE 

T v ONDON in 1847. Time: late evening. Scene: gentle¬ 
men’s room in the residence of the Countess de Monti jo. 

Room decorated in early Victorian style. In centre of flat 
at rear is large double door opening in. 

At left 3 and 4 E., arch revealing salon beyond, filled with 
guests seen passing to and fro; voices are heard in con¬ 
versation and laughter throughout tableau. 

At right, on run, a balcony at 3 and 4 E. Lace curtains and 
heavy draperies at sides, practicable. Crosswise in 
corner, in front of flat R. U. E., a buffet, on which a 
large silver punch bowl, liquors in decanters, glasses, 
etc., on each end a tall candelabrum, candles lit. 

At right centre, near front, card-table and four chairs, cards 
on table. 

At centre front, an easy chair, at left front, a sofa. 

Sky drop back of balcony. Hall drop back of rear flat, and 
drop showing salon behind arch. Candelabra at various 
places on wall, one on flat R. 2 E., candles lit. 

At rise Jose is discovered inspecting room, then prepares 
punch at buffet. Voices in conversation heard ap¬ 
proaching. 

[Enter Lords Burleigh, Evelyn, and Eglm- 
ton through arch L. 3 and If. E. They cross 
to centre. 


Burleigh 

{Looks around, surprised .) Where’s Douglass? I thought 
he was with us. 

[ 1 ] 


THE FLOWER OF DESTINY 


Evelyn 

So he was. — Got cornered by some one on the way in, 
probably. 

[During conversation they cross to C.; then 
Evelyn crosses to opening before balcony, R. 3 
and E., and audibly takes breath of air; 
then turns toward Eglinton, who has crossed 
to table R. C., and stands at chair B. of table. 
Burleigh crosses slowly and sits down wearily 
in chair R. of table. 

Eglinton 

What luck to beat the others out! 

[Takes cigarette case and offers cigarette 
to Evelyn, who comes to him, takes a cigar¬ 
ette, passes behind Burleigh, and lights it at 
candle in candelabrum, on flat R. 2 E.; then 
sits down F. of table. 

Burleigh 

I should have expired in there — in another moment. 

[Pause, during which time Jose draws cur¬ 
tains before balcony. 

Eglinton 

(To Jose .) Here, man, what the devil are you doing? 
We’ve just left that cursed drawing-room to get a breath 
of air, and now you deprive us of that! This must be a 
sample of the Spanish Inquisition, which our friends from 
Madrid would introduce! 

[During Eglinton’s speech Jose has at¬ 
tempted to answer twice. 


Jose 


Your pardon, my lord. 
Carrero punch. 


I am about to light the Porto- 

[ 2 ] 


TABLEAU ONE 


All 

The — what — punch? 


Jose 

The punch which has been famous in the Porto-Carrero 
family for centuries. (Chuckles.) Many a great family in 
Spain has offered poor Jose gold to learn the secret, — but 
oh, no! Jose had it from his master, and the master said, 
“ Jose, you shall know the secret of the punch, and no one 
else,” and no one else has ever learned it, my lords. 

£Burleigh and Eglint on light cigarettes and 
smoke at the beginning of Jose’s speech. Jose 
lights punch and it flames up. 

Evelyn 

Egad, it smells good! 


Eglinton 

What has the Porto-Carrero family to do with the Mon¬ 
ti j os, Jose? 

Jose 

The Porto-Carrero? The great Porto-Carrero? (Proudly.) 
It is the family from which my master descended. 

Burleigh 

Then the Monti j os were somebody in their own country? 

Evelyn 

On the father’s side, I believe. But the Countess — well, 
she has ambition enough to make up for any lack of family 
tree. 

Jose 

(Going to them.) Shall I serve you, my lords? 

Eglinton 


[ 3 ] 


By all means. 


THE FLOWER OF DESTINY 


Burleigh 

We would prove our nostrils true prophets. 

[While Burleigh is speaking Eglinton rises 
and goes toward arch L. 3 to look for Doug¬ 
lass. Sees him beyond and motions him to 
come. Goes to punch-bowl, looks in, and shows 
signs of approval, while Jose gives final touch. 
Sits at table. Jose serves them. 

Eglinton 

How long have you been in the Monti jo family, Jose? 

Jose 

Over thirty years, my lord. I fought with the master 
against the allied troops. 


Eglinton 

The devil you say! Under the great Napoleon? 

Jose 

Yes, my lord. ( Opens curtains .) 

[Enter Douglass through arch. 

I 

Douglass 

Sorry to keep you waiting, gentlemen. (Pause.) But 
what is this aroma which assaileth my nostrils? 

Evelyn 

Nectar, — fit for the gods, — otherwise known as the 
Porto-Carrero punch. Come, drink and be happy. 

[Douglass crosses to table, takes centre 
place, and Jose serves him to punch. 

Douglass 

Egad, that’s noble! — A Montijo innovation, as I live! 
It is enough to reconcile us to their breaking into London 
society, eh? 

[ * ] 


TABLEAU ONE 


Burleigh 

(Grudgingly .) Well, rather. 


Evelyn 

A toast to the Porto-Carrero! 


[All raise glasses. 


All 

Long live Jose and the Porto-Carrero punch! 

[All drink. — Exit Jose, C. D. 


Evelyn 

(Picks up cards and shuffles.) Come, let’s get started. 
We have n’t any too much time. 


Burleigh 

What are we going to play for? A guinea a point? 

[All assent, take gold and banknotes out of 
pockets, and place on table, as they draw 
chairs up preparatory to play. 

Douglass 

{Thoughtfully.) They seem to have won out all right. 

Eglinton 

(Deals cards, pauses.) Who? 

Douglass 

The Montij os, of course. — Everyone who is anyone is in 
there, falling over themselves to welcome this new constella¬ 
tion. Social lights, literary stars, and bulwarks of the State 
are saying pleasant tilings to the Countess, with their eyes 
fastened on the glorious daughter. 

[All sort cards and commence play. Game 
is continued throughout conversation. 

[ 5 ] 


THE FLOWER OF DESTINY 


Evelyn 

Why should n’t they win out, with Lady Blessington’s 
backing? 

Burleigh 

{Mockingly.) And — the divine Eugenie! 

Douglass 

I ’ll lead you a club, partner. — The old dowager is dead 
in earnest. 

Evelyn 

What’s the game ? 

Douglass 

Matrimony. 

Evelyn 

{Astonished, stops playing a moment. To Douglass .) 
The madam is looking for a husband? 

Douglass 

Don’t be a jolly ninny! Not for herself, but for the 
daughter. 

Burleigh 

That ought to be easy enough. If the signs are correct, 
she could catch you or Eglinton without much difficulty. 

[Laugh and continue play. 


Eglinton 

Not so easy as you think. First of all, Mademoiselle 
Eugenie is in no haste for a husband. — Our trick, Burleigh. 


Douglass 

And in the second place, neither one of us would satisfy the 
old lady’s idea of greatness. 

[ 6 ] 


TABLEAU ONE 


Burleigh 

What is she looking for? 

Douglass 

Give it up. I thought for a time I had old Eggie here cut 
out to a finish, but ( sarcastically ) the Countess de Monti jo 
has lately shown absolute indifference, both to me and to my 
family tree. 

Burleigh 

How about the daughter? 

Douglass 

Damnation! Can anyone tell what that little minx thinks ? 
She has every blade in London at her feet, and she makes each 
one think he’s the chosen one, until the whim strikes her to 
shift off to another. {Drinks punch, and stops play.) 

[Others drink and stop play. 

Eglinton 

{Exaggerated manner.) I saw her on horseback this 
afternoon in the park. She wore a bodice which must have 
cost a fortune, and in her belt she had that curious Saracen 
dagger she showed us the other day. Red satin boots on her 
feet, and pearls and violets in her hair. {Pause.) Egad! 
she was a picture! 


Douglass 

But it is her face which plays the mischief with a chap. 
Who ever saw such sparkling eyes, such an exquisite nose, 
such a mocking mouth, — all combined to make fools of every 
one of us. 


Eglinton 

{Puzzled.) It is hard to analyse it. She is so daring, yet 
so dainty; so shockingly unconventional, yet so lovable and 
womanly when the fancy strikes her. 

[ 7 ] 


THE FLOWER OF DESTINY 


Evelyn 

She certainly looks superb to-night! 

Douglass 

Come, let’s forget her, — ( slight pause ) if we can. 
Where’s D’Orsay? ( Slight pause.) He’s bound to come, 
is n’t he ? 

[All pick up cards and resume game. 
Burleigh 

I saw him and Lady Blessington at the door just as we 
made our escape. — Ah! a trump lead at last! 


Eglinton 

He ’ll be here soon, trust him. His worthy stepmother 
will do the honors, and let him enjoy himself. 

[Game progresses in silence for a moment. 
Douglass 

Did you hear about his experience with Major Crawford 
last week? 

Evelyn 

Another experience? 


Burleigh 

I heard the Major had gone broke. 

Douglass 

So he had. D’Orsay dropped in on him and found him 
in the dumps about it. Badly in debt — going to sell his 
commission, and all that. D’Orsay heard him out, and then 
coolly asked him to lend him ten pounds. 

Eglinton 

(Interrupting .) To lend him? I thought you said he was 
broke. ( Deals cards.) 

[ 8 ] 


TABLEAU ONE 


Douglass 

So I did. You listen to the story. Poor old Crawford was 
aghast, but D’Orsay told him he might as well have the money 
as the creditors, and went out with the sovereigns in his pocket, 
leaving the old boy in a state of collapse. 


Can you wonder? 


Burleigh 


[All laugh. 


Douglass 

Early next morning D’Orsay again paid his respects 
to the Major, and planked down seven hundred and fifty 
pounds on the table, told him to pay his debts, and not to talk 
about selling his commission any more. Then he started to 
leave. Crawford said, “ This is n’t my money,” but D’Orsay 
cried, “ Yes, it is. I staked your damned ten pounds at 
Crockford’s gambling hell last night, and this is what it won. 
It’s yours, my boy, for if I’d lost, you never would have 
got back a sixpence.” 

Eglinton 

Good for D’Orsay! He probably needed the cash himself, 
too. 


Burleigh 

He’s not much better off than Crawford. 

i 

Evelyn 

With all the trouble D’Orsay has with his creditors, how 
the deuce does he manage to keep on dressing like a prince? 

Eglinton 

Don’t you know how he works that little trick ? His clothes 
are the least of his troubles, for they never cost him a ha’¬ 
penny. Great thing for the tailor, you know, to have the 
“ arbiter of fashion ” as a customer. One tailor used to slip 
banknotes into the pockets of his trousers. 

[ 9 ] 


THE FLOWER OF DESTINY 


Evelyn 

I would be willing to be an “ arbiter of fashion ” myself, 
under those circumstances. 


Eglinton 


But D’Orsay killed the goose which laid the golden egg by 
returning one suit in which this formality had been omitted, 
with the remark that the pockets were not properly lined. 


Douglass 


[All laugh. 


You must have worked at the trade yourself, Eggie, to be 
talking of a “ tailor’s goose.” ( Looks at hand.) How does 
the score stand, Burleigh? 


Burleigh 

(Looks at score.) You need a point for the game. 

Douglass 

Well, there it is! 

[Throws card down , rises and sweeps money 
from table. 

Now I’m going to fetch poor D’Orsay. 

[Starts toward arch L. 3. Meets D’Orsay 
entering through arch L. 3. 

Hello, D’Orsay, here you are at last! How could you tear 
yourself away from your protegees? 

[D'Orsay advances to C. 


D’Orsay 

It was hard; but Count Camerata is so monopolizing the 
fair Eugenie that no one else can get a word in edgewise, — 
and the others bore me. — I hate to break into your game, 
but damme, I’d like to play a few hands. 

[D’Orsay and Douglass go to table, and 
stand at centre place. 

[ 10 1 


TABLEAU ONE 


Evelyn 


Cut in, by all means. 


[All cut. Burleigh loses. 


D’Orsay 

Thanks, old chap. 

[D’Orsay takes centre place at table. 
Douglass takes Burleigh’s old seat. Eglinton 
and Evelyn change places with one another. 
Burleigh goes to balcony, and looks out. 

Eglinton 

The Montij os should be very grateful to Lady Blessington 
and yourself for starting them off so brilliantly. 

[Cut cards for deal. 

D’Orsay 

To my stepmother, perhaps, and to their friend, Baron 
Rothschild. — It’s my deal. 

Eglinton 

Where does the Baron come in? 

D’Orsay 

Why, it is at his request that my stepmother stands as 
sponsor for the Montijos. The Countess, I believe, assisted 
in arranging the marriage of Rothschild’s daughter with 
Count Camerata. 

[R e-enter Jose, C. D. Serves punch again 
at table. 


Douglass 

If D’Orsay was n’t so polite, Eglinton, he’d tell you that 
Camerata married the Baron’s bank account, and the daugh¬ 
ter went with it. 


[ n ] 


THE FLOWER OF DESTINY 


Eglinton 

It does n’t seem to me that the match is anything to feel 
particularly proud about: Egad! (Shivers.) The chap 
puts me on edge every time I see him, — and I never con¬ 
sidered myself overfastidious. 

[Burleigh returns to table, and stands, 
watching game. 

Burleigh 

He’s a brute, — nothing less. 

D’Orsay 

Very likely all of that, my dear Burleigh, but he is also 
a member of the once powerful house of Bonaparte, and that 
makes up for a multitude of sins. — By the way, he’s a con¬ 
nection of yours, too, isn’t he, Douglass? 

Douglass 

(Emphatically.) Not for a minute! Thank God, my rela¬ 
tionship to Louis Napoleon comes from the other side of the 
family. — I wholly sympathize with Burleigh: Camerata is 
a brute, and I don’t see how Mademoiselle de Monti jo stands 
his devotions. 


D’Orsay 

It’s just her love of sport. It’s as natural for her to 
flirt as to breathe. 


Douglass 

The Baron is dead sore about it. I’ve been watching him 
watch them. It was great sport. 


Evelyn 


Steady, Douglass. — The Baron approaches. 

[Enter Baron Rothschild through arch L. 3. 
Crosses to C. 

[ 12 ] 


TABLEAU ONE 


Baron Rothschild 

Good evening, gentlemen. You seem to have solved the 
problem of attending a society function, and still enjoying 
yourselves. ( Crosses to table.) 

D’Orsay 

(Looking up.) And you also, my dear Baron; though 
somewhat later than we. 


Evelyn 

We are nearly through the game, Baron. You may cut 
in, in a moment. 

[Baron Rothschild takes cigar, lights it, and 
smokes. 

Baron Rothschild 

Thank you, no. I much prefer to watch. 

[Baron Rothschild watches game a few mo¬ 
ments, then crosses to balcony. His manner 
shows restrained emotion. 

Douglass 

What’s the latest news, Baron? You are always better 
posted than anyone else. 

Baron Rothschild 

Threats of civil war in Ireland; the Grand Duke Constan¬ 
tine of Russia and Prince Oscar of Sweden are to pay us 
official visits ; and — a rumor from Paris which — who knows? 
— by to-morrow will set all Europe by the ears. 

Eglinton 

Egad! that sounds interesting! Give it to us, Baron. 

Baron Rothschild 

If I do, it will bring your game to a summary conclusion. 

[ 13 ] 


THE FLOWER OF DESTINY 


D’Orsay 


Then, as you love me, Baron, postpone it a moment! — 
What’s the score now, Evelyn ? 


[Evelyn -figures score. 


Evelyn 

We lack a single point, and you need two. 

D’Orsay 

Double stakes that we win! 


Done! 


Eglinton 

[Game continues a moment, then Jose enters 

C. D., and delivers note to D’Orsay, who shows 
surprise, then excitement, as he readss Baron 
Rothschild watches him. D’Orsay speaks low 
to men at table, whose manner changes from 
annoyance over interruption of game, to in¬ 
terest and amazement. Men rise, throw cards 
abruptly on table, leaving money, indifferently, 
glance furtively about, and one by one exit 

D. C., Jose holding door open. 


D’Orsay 

Forgive our abrupt departure, Baron. We shall return 
presently. 

[Exit D’Orsay, D. C. Baron Rothschild 
remains standing C. for a moment, then starts 
to exit, arch L. 3. Turns suddenly, pauses. 


Baron Rothschild 

Jose, request Madame la Comtesse to meet me here, on a 
matter of importance. 


Jose 

Yes, my lord. 

[Exit Jose, arch L. 3. Baron Rothschild 
arranges sofa for Countess de Montijo, L. F. 
[ 14 ] 


TABLEAU ONE 


Dumb show, while waiting. Greets Countess 
on entrance. 

Baron Rothschild 

(Bowing.) Will you forgive me, Countess, for taking you 
from your friends? There is a matter which I must talk over 
with you. The men have but just left here, and this seemed 
my only opportunity. — Won’t you sit down? 

['Countess de Monti jo sits down on sofa at 
L. F. Baron draws up a chair, and seats 
himself. 

Countess de Montijo 

It is good of you, Baron, to arrange it thus cleverly. I 
have been wishing for a chance to thank you for so fully 
keeping your promise.—Our soiree is a success, is it not? 
And all due to you and to Lady Blessington, whose good 
offices you secured in our behalf. 

Baron Rothschild 

You owe me no thanks, my dear Countess. — I consider it 
a privilege to present to London society so great an addition 
as yourself and Mademoiselle de Montijo. 

['Countess de Montijo deprecates. 

Without your assistance in Madrid, I should hardly have 
succeeded in finding so eligible a husband for my daughter as 
the Count Camerata. 

Countess de Montijo 

We regret so much that she could not come this evening; 
but are glad the Count did not also disappoint us. 

Baron Rothschild 

{Pause.) Can you not surmise why the Countess Camerata 
is not here to-night? 

Countess de Montijo 

Why, I understood she was {pause) indisposed. 

[ 15 ] 


THE FLOWER OF DESTINY 


Baron Rothschild 

So she is, so she is. — {Pause.) The truth of the matter, 
my dear Countess, is that Camerata’s devotion to your 
daughter gives his wife no little uneasiness. — She tells me 
that I owe their present visit to the Count’s desire to be near 
Mademoiselle Eugenie. 

Countess de Montijo 

( Deprecatingly .) My dear Baron! I cannot believe what 
you tell me! The Count was devoted to Eugenie before his 
marriage, it is true, but with an angel like your daughter for 
a wife his devotion must have been transferred. 

Baron Rothschild 

I fear not, Countess; but I hope it soon may be. I wished 
particularly to talk with you about this unfortunate matter. 
— I may be frank, may I not ? 

[Countess de Montijo assents. 

We have been of some service to each other in the past, and 
I trust this also may be true in the future. To come at once 
to the point, I am convinced that there will be no happiness 
in my house until your daughter is married. I think I under¬ 
stand your ambition for her, and it is possible that I can 
serve you and myself at the same time. 

Countess de Montijo 

( Hesitates .) You are certainly very frank, Baron {forces 
a laugh) ; but perhaps it is better so. I am indeed sorry to 
learn that my daughter is the cause of any unhappiness 
between the Count and Countess Camerata; but as she does 
not reciprocate his devotion, I do not see that she can in any 
way be held responsible. 

Baron Rothschild 

{Quickly.) Not at all, my dear Countess. Do not mis¬ 
understand me, I beg of you. The conditions exist, with 
perhaps no one to be blamed for them. Naturally, I am 

[ 16 ] 


TABLEAU ONE 


solicitous for my daughter’s happiness, and when once Made¬ 
moiselle is married, the Count’s infatuation may disappear. 

Countess de Montijo 

{Dryly.) I fear even so good a reason as you advance, 
Baron, will fail to hasten my daughter in the selection of her 
husband. 


Baron Rothschild 

Quite possibly, if presented to her as bluntly as I have 
explained the matter to you; {blandly) but, of course, I 
count upon your usual discretion. {Pause. Matter of fact.) 
Let me be even more frank, my dear Countess. You are 
seeking for a grand alliance for your daughter. You failed 
to accomplish what you desired in Madrid, and you have 
come to London hoping for better success. Do I not state 
the situation correctly? 

Countess de Montijo 

{Rises with show of displeasure.) Your frankness is be¬ 
coming somewhat presumptuous, Baron. 

[Baron Rothschild rises at same time, and 
steps toward Countess de Montijo, raising 
hand with reassuring gesture. 

Baron Rothschild 

Be calm, be calm, my dear Countess. We parents are 
naturally anxious to secure suitable partis for our daughters, 
and nothing is further from my intention than to suggest 
that anything dishonorable has been entertained; — indeed 
I must include myself in the same category, since I placed 
myself in your debt at Madrid. 

[Countess de Montijo mollified, reseats her¬ 
self. Baron Rothschild pauses before reseating 
himself and continuing. 

How high do you aim for your daughter, Countess? 

[ n ] 


THE FLOWER OF DESTINY 


Countess de Montijo 

(Coughs nervously, then smiles.) Higher than you did 
for yours, Baron. 

[Baron nettled. Countess amused, quickly 
follows up advantage. 

“ All is fair in love and war,” they say. 

Baron Rothschild 

(Stiffly.) I fail to appreciate the humor which you evi¬ 
dently see in your allusions. Surely the son of the great 
Napoleon’s sister is of sufficiently high rank to marry the 
daughter of a Rothschild. 

Countess de Montijo 

Quite high enough, my dear Baron; quite high enough. 
But if the rank had been sufficiently high for my ambition, 
you are surely too astute to suppose that I should have been 
so helpful in arranging to get him out of the way? ( Slight 
pause.) No, no, Baron; the glory of the house of Bonaparte 
has passed, and I confess that I aspire to something higher 
for my daughter than to wed a descendant of departed great¬ 
ness. Indeed, the intimacy between the Count Camerata and 
my daughter was becoming so serious, that I was delighted 
to serve your wishes when you approached me. 

Baron Rothschild 

(Incensed, hut controlling his anger.) Be not so sure, my 
dear Countess, that the glory of the house of Bonaparte has 
indeed passed. 


Countess de Montijo 

(With equanimity.) With the head of the House impris¬ 
oned for life, there is little likelihood of any restoration. 

Baron Rothschild 

(Pause.) Then you have not heard that the Prince has 
escaped ? 


TABLEAU ONE 


Countess de Montijo 


{Excitedly.) The Prince escaped, Baron! You are not 
serious ? 


Baron Rothschild 


Quite serious, my dear Countess. I learned from my Paris 
house to-day that the Prince escaped from his prison, the 
fortress of Ham, last evening. I also know that as King 
Louis Philippe becomes more and more disliked, the Bona- 
partists are rapidly gaining ground. You and I, my dear 
Countess, will live to see Prince Louis Napoleon emperor of 
France, and my daughter cousin to the Emperor. 

[Countess de Montijo is silent for a moment , 
affected by news. 


Countess de Montijo 

{Cowed and submissive.) I certainly congratulate you, 
Baron. 


Baron Rothschild 

I am still ready to serve you. From a selfish motive, I 
grant, but still, I am ready. The Prince will undoubtedly 
come to London sooner or later. He admires a pretty face, 
he needs money, he needs position. {Pause.) Need I say 
more ? 

Countess de Montijo 

You are heaping coals of fire upon my head, Baron. I am 
quite ready to be guided by your judgment. 

Baron Rothschild 

Why not see your daughter at once, Countess? {Slow.) 
Why not prepare her {very slow) for an emergency {slower 
yet) which may arise at any moment? 

Countess de Montijo 

I will do so. {Starts to rise.) 

[ 19 ] 


THE FLOWER OF DESTINY 


Baron Rothschild 
Let me send her to you here. 

Countess de Montijo 
If you will, Baron. 

[Exit Baron Rothschild through arch. 
Countess absorbed in thought. Door, C., 
opens cautiously, and Douglass and Eglinton 
appear, about to enter. Douglass discovers 
Countess de Montijo, and draws bach hastily. 


Douglass 

{To Eglinton.) Gad! We must wait. The guests have 
got tired of the old lady, and sent her to the smoking-room to 
rusticate. 

[Douglass closes door quietly. — Eugenie 
appears at arch L. 3, looks in mischievously, 
then enters buoyantly. 


Eugenie 

Ah! there you are, little mother! {Embraces Countess 
de Montijo from behind.) Baron Rothschild says you 
wish to see me. {Walks around sofa and faces Countess 
de Montijo.) 


Countess de Montijo 

{Admiringly.) My beautiful daughter! There is no one 
to equal you in all Europe! 

[Eugenie sits at R. of Countess de Montijo, 
who holds her hand while talking, and pats it 
affectionately. 


Eugenie 

{Smiling.) Tut, tut, mamma! you will make me vain! 

[ *0 ] ' 


TABLEAU ONE 


Countess de Montijo 

(Pleasantly quizzical, leans bach and surveys Eugenie .) 
But you like to hear it none the less, ma cherie, whether spoken 
by your latest conquest, or by your foolish old mother. 

[Eugenie throws arms impulsively around 
Countess' neck. 

Eugenie 

You are proud of me, are n’t you, madre mia? {Draws 
bach suddenly, with mock injury .) But why did you send for 
me? Of what mischief has your madcap daughter been 
guilty, that you must summon her here for maternal disci¬ 
pline, — here, in this room, where men smoke and play cards? 

Countess de Montijo 

I have an important matter to talk over with you, my child. 
You know how disappointed I have been that our season here 
in London has not found for you a suitable alliance. 


Eugenie 

(Mock heroic manner .) Poor little mother! You have 
come all the way from la belle Espagne with a pretty daugh¬ 
ter to offer in the matrimonial market, and can find no 
customer! 


Countess de Montijo 

{Severely.) This is not a subject for jest, my daughter. 
You seem content to attract men to you, the best names in all 
England, just as you had the flower of Spain at your feet 
in Madrid, simply that you may amuse them and be amused. 
It is time that you secured a husband, Eugenie. You cannot 
play at love all your life. My one ambition is to see you in 
a proud position, and you will do nothing to enable me to 
realize it. {Struggles to restrain herself.) 

[Eugenie throws herself on floor at feet of 
Countess de Montijo, and clasps her knees. 

[ 21 ] 


THE FLOWER OF DESTINY 


Eugenie 

Oh, mother dear! be not angry with me! I have told you 
over and over again that I cannot marry a man I do not love. 
I am wild and hoydenish, as you say, and silly and all that, 
but I am a woman, none the less, and I have a heart ( thought¬ 
fully' ), even if so few people believe it. ( Buries her head in 
Countess de Montijo's lap, and when she looks up shows she 
has been crying.) 

[Countess de Montijo remains annoyed. 

Do you not understand, will you not understand that I 
would far rather go through life unwed than lose my liberty 
without something other than position in exchange? ( Rises 
and stands. Speaks proudly, with great warmth.) What 
do I care for titles? Does not Spain’s purest and noblest 
blood flow through my veins, and is it not enough to be 
descended from the Porto-Carrero? 

Countess de Montijo 

( Meaningly .) But suppose you had an opportunity to 
marry some one whose family was far greater than the Porto- 
Carrero ? Who came — 


Eugenie 

Well? — yes, yes! 

Countess de Montijo 

Who came not from a noble family, but from a royal house? 
Who may himself some day sit upon a throne? 

Eugenie 

A royal house! — What do you mean? (Sits beside Coun¬ 
tess de Montijo.) 


Countess de Montijo 

Prince Louis Napoleon, the Pretender to the throne of 
France, has escaped from prison. Had you heard it? 

[ 22 ] 


TABLEAU ONE 


Eugenie 

Do you mean Camerata’s cousin? (Pause.) What a 
joke! He was saying all sorts of nasty things about him 
this evening, and of course I took the other side. He will be 
furious! But what has this to do with me? 


Countess de Montijo 

You know, my child, how firmly your father believed that 
the house of Bonaparte would be restored, and I have recently 
learned that the Prince’s ambitions may soon be realized. 
Here is a man whose future position makes him worthy of my 
beautiful daughter. He will probably come to London, and 
I wish you to understand how much importance I attach to 
the opportunity which you will undoubtedly have to meet him. 
I beg of you to make the most of it, for my sake, if for 
nothing else. You can easily interest him in you if you but 
make the effort. 


Eugenie 

(Throws hack head and laughs, hut stops suddenly, seeing 
Countess de Montijo’s earnestness. Looks at her mother 
fondly and indulgently, like spoiled child.) You good, de¬ 
voted, ambitious, foolish little mother. Surely you jest! 
(Rises.) Eugenie as an empress, — even granting that she 
had the chance! And you want me to make love to this 
Pretender just for his position (pause), whether I love him 
or not? (Sits and takes both the Countess' hands.) Well, 
ma mere, I will make a bargain with you. If you will 
promise not to insist on my marrying every title which is 
thrown at me, I will promise to accept any real, live Emperor 
who may offer to share his throne with me, just for the 
pleasure of seeing how grand you would look as the mother 
of an Empress! But Prince Louis Napoleon must wait until 
he has his throne safely secured, for it would be such a mor¬ 
tification— would it not? — to find that the sacrifice had 
been made for nothing! Come, now, is it agreed? 

[ 23 ] 


THE FLOWER OF DESTINY 


Countess de Montijo 

{Indulgently.) You could not be serious even if you tried, 
Eugenie. 

[Eugenie laughs. 

How can I hope for any success in my plans for your 
future when you make sport of every suggestion? 

Eugenie 

Give me up in despair, ma mere! {Again throws arms 
about Countess.) But truly, I will be as agreeable and irre¬ 
sistible as possible to this Prince of yours, and if he asks 
me to marry him, I will do so — if I love him, — or if he 
has become Emperor. The first for my sake, cherie, and the 
last for yours! 


Countess de Montijo 

I shall hold you to that promise, Eugenie. 

[Enter Baron Rothschild. 

Baron Rothschild 

Pardon me for intruding, ladies. {To Countess de Mon¬ 
tijo.) Some of the guests are leaving early, and have in¬ 
quired for you. 

[Countess de Montijo and Eugenie rise 
hastily. 

Countess de Montijo 

Come, Eugenie, we must return to our friends. My interest 
in my headstrong daughter has made me forget everything 
else. 

[Baron Rothschild escorts Countess de Mon¬ 
tijo and Eugenie to salon. Then door, C., 
again cautiously opens, and D’Orsay, Doug¬ 
lass, Eglinton, Burleigh and Evelyn straggle 
in, completely demoralized by their surprise. 
Hold centre. 


[ 24 ] 


TABLEAU ONE 


Douglass 

The dowager has evidently served her penance, and re¬ 
turned to the elect! 


Evelyn 

Of all the unexpected events! 

Eglinton 

Louis Napoleon, of all men, to turn up here in London! 

Burleigh 

Why the devil won’t he come up? 

Eglinton 

You heard him say. Does n’t know the people — was n’t 
invited. As if he could have been invited, when everyone 
thought him at Ham, in prison! 

Evelyn 

Surely you can make him change his mind. 

Douglass 

No use. You don’t know the Prince. Obstinate as a mule 
when his mind is once made up. {Crossly.) Why don’t you 
say something, D’Orsay? 


D’Orsay 

I’m thinking, — but I guess it’s no go. He’s so punctil¬ 
ious. — By the way, who won that last game? 

Burleigh 

You all threw down your hands when the message came. 

D’Orsay 

Damme, it was double stakes, too! 

[ 25 ] 


THE FLOWER OF DESTINY 


Let’s cut. 

Evelyn 

[All cross to table. 

All 

All right, — 

— high wins, ace low. 

[ D'Orsay spreads out pack on table and all 
cut. 

The tray. 

Douglass 

Jack. 

Eglinton 

Ten spot. 

Evelyn 

The King. 

D’Orsay 

[Jose opens door suddenly. Enter Louis 
Napoleon and advances to centre. 

Jose 


{With great emotion.) My lords! Look! 

Louis Napoleon 
Gentlemen, I greet you! 


Hurrah! 

[All rise. 

Burleigh 

Douglass 


Now you show your good sense at last. 


Louis Napoleon 

My eagerness to see you has overcome my manners. 

[ 26 ] 


TABLEAU ONE 


D’Orsay 

Good! Come where we can look at you, and see if we can 
believe our eyes. 

[Louis Napoleon advances to front. All 
gather around him. D’Orsay feels of him. 

Louis Napoleon 

It seems no more incredible to you than to me. (Looks at 
his clothes.) Do you recognize your costly raiment, D’Orsay? 
You see I made a raid at Gore House before following you 
here. But come, — am I really outside those prison walls, — 
and here is dear old Douglass, and Eglinton, and Burleigh 
and Evelyn, — all together again, just as we were in the old 
days, before cruel circumstance separated us! 

Douglass 

Louis Philippe scarce regarded the Boulogne affair as a 
“ cruel circumstance but you ’ve served them jolly well to 
have given them the slip. Tell us how you did it. We are 
expiring with curiosity to learn of the escape, which you 
would n’t tell us down stairs. 

Louis Napoleon 

(Seriously and dramatically.) There is more to tell, dear 
friends, than of the escape. That is but an incident. The 
imprisonment itself is more significant. Almost six years 
have passed since I was last with you, — six hard years, one 
might imagine ; yet how have they treated me ? Am I unduly 
aged, has my confidence in my ultimate destiny been weak¬ 
ened? Look at me, and answer for yourselves. 

Eglinton 

(Lightly.) What can have happened behind those grim 
fortifications, my dear Prince, to inspire you with such en¬ 
thusiasm? Did you succeed in arousing a revolution at Ham, 
or has the King of France apologized for clapping you into 
prison, and offered to abdicate in your favor? 

[ 27 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

(With slight smile.) Neither the one nor the other, 
Eglinton. ( Motions to all to be seated. Stands C. F.) 

[All but Louis Napoleon sit. 

I had no desire to leave the place while the temper of the 
people remained as it was. With the name I bear, and its 
power in France, I must have the gloom of a cell or the light 
of power. But I had confidence that beneath their apparent 
indifference to my captivity, the loyalty of the French people 
to my House still held strong. 

Douglass 

{Interrupting.) You have always had confidence enough, 
Louis. But it has made you a jolly lot of trouble. 

Louis Napoleon 

(Not heeding interruption.) At first I was kept in the 
most rigorous confinement, cut off from every kind of com¬ 
munication from outside. No one dared raise his eyes to me, 
or perform the simplest act of civility. Every one fled at 
my approach. ( Indignantly. Takes centre place at table.) 
There in the midst—of France, — the France Napoleon I 
had made so great, — I was treated not as a political pris¬ 
oner, but as a common felon! 

Evelyn 

(Interrupting — leans across the table.) But, my dear 
Prince, how could you have expected anything different? 

Louis Napoleon 

I did not expect anything different from the King, but I 
could not believe that the people would endure it so long. In 
spite of all Persigny and the other Bonaparte leaders in 
France could do, it was not until my uncle’s ashes touched 
French soil that any progress could be made. Then matters 
changed. Louis Philippe no longer dared to risk his totter¬ 
ing throne by disregarding the temper of the people. It 

[ 28 ] 


TABLEAU ONE 


even came about that in the evening De Marie, the command¬ 
ant, and I made up our rubber at whist as regularly as the 
stem old war-dog made his final rounds for the night. 

Douglass 

{Laughing.) I should have liked to cut into that rubber. 
I hope that you recovered some of the government funds 
which the Orleans family so rudely appropriated! 

Louis Napoleon 

It all worked toward the desired end. The demands of the 
people forced the King to make my confinement less severe. 
Old Marie evidently thought I could desire nothing beyond 
our evening game of whist, and became less watchful. Then 
came my chance. Repairs were necessary in the fortress. 
I determined to disguise myself as one of the workmen, and 
make my escape in the evening. Dr. Conneau and my faith¬ 
ful valet Thelin entered heartily into the plot. Clothes were 
obtained, my moustache was cut off, as you see, and my hands 
and face stained red. I was determined not to suffer the dis¬ 
grace of being taken alive, so I had a dagger which I have 
not even yet discarded {shows dagger ) concealed beneath my 
blouse; and with a long shelf, taken from my library, hoisted 
over my shoulder, I was ready for the attempt. I went down 
the stairs, through the wicket into the courtyard, where I met 
several officials, but no one recognized me. The bolt was 
drawn, I passed out, closely followed by Thelin, and took the 
road leading towards St. Quentin while my valet hastened to 
the village to find a carriage. We drove rapidly to St. Quen¬ 
tin, where I exchanged my workman’s costume for another. 
We arrived at Valenciennes, and there took the train of cars 
for Brussels. I was in an agony of suspense until the train 
left Valenciennes behind us, but we finally reached Brussels 
in safety, went thence to Ostend, then to London, straight to 
Gore House, where I arrayed myself in the quietest of 
D’Orsay’s costumes which I could find, — and here I am! 
{Rises.) 


[ 29 ] 


[Others rise. 


THE FLOWER OF DESTINY 


All 

{Enthusiastically.) Bravo, Prince! 

Douglass 

{Thoughtfully .) Well, Louis, you are free at last, and we 
rejoice that you have escaped two great curses, — a prison 
and a throne. But will you now be quiet? 

Louis Napoleon 

{Sadly.) My dear cousin, must I give up all hope of ever 
convincing you that I do not belong to myself, but to my 
name and to my country? It is because my fortune has twice 
betrayed me that my destiny is nearer its accomplishment. I 
bide my time! 

Eglinton 

Come, Douglass, you are on forbidden ground, and the 
conversation takes too serious a turn. — Some punch, Jose, 
and a toast to our future Emperor! 

{All sit. Jose serves punch. 

Louis Napoleon 

That is better. I have quite monopolized the conversation 
since my arrival, and it is now your turn to amuse me with 
an account of your own misdemeanors. — But first tell me 
where we are. Whose guest have I the honor of being? 

Eglinton 

Your hostess, Prince, is the Countess de Montijo, an 
estimable and ambitious dowager who has come from Madrid 
to London with a daughter, — the most ravishing beauty 
who has yet burst upon our vision. 

Burleigh 

What hair! 


Eglinton 


What vivacity! 


[ 30 ] 


TABLEAU ONE 


D’Orsay 

What uncertainty, but what ecstasy! 

Louis Napoleon 

And I here, uninvited, so cannot be presented to this vision 
of loveliness! 


Douglass 

My word for it, cousin, you’d better not be presented if 
you still dream of an Empire. Once in her presence, and 
you ’ll forget that you “ belong to your name and to your 
country ”! 

Louis Napoleon 

Peace! Tell me more about her. I am interested. 

D’Orsay 

There is little more to tell, Prince. (Slow.) She is beauti¬ 
ful, she is daring, she is sweet, she is unconventional. She 
has us all dangling about her, taking us on or throwing us 
off, as she likes, and leaving in our minds only — feelings of 
gratitude, whatever she does. (More slowly.) She rides 
horseback like an Amazon, flirts like the accomplished co¬ 
quette that she is, smokes her cigarette like any man, and 
plays us to a standstill at our own game. She evidently cap¬ 
tivated every gay spark in Spain, and now has come to 
London looking for new worlds to conquer. 

Louis Napoleon 

(Suggestively.) How remarkable that such a paragon as 
you describe should be looking for conquest. 

D’Orsay 

But you have not heard the whole story, my dear Prince. 
Around this charming personality float the most remarkable 
rumors. It is said that in Spain she frequently appeared in 
man’s attire, that in her hand a riding-whip and a dagger 

[ 31 ] 


THE FLOWER OF DESTINY 


are quite as much at home as a bouquet or a fan. We have 
all been on the qui vive for some pretty scandal to occur here 
in London; yet this has not kept us from her feet. I’ll be 
bound every man in this room has offered himself to her, and 
been refused! 

\Men ruefully assent. 


Louis Napoleon 

(Indifferently .) Surely the lady has set the tongues wag¬ 
ging since her arrival. I judge that she is — well, how does 
society receive her, D’Orsay? 

D’Orsay 

Now you have touched the most remarkable point in the 
whole affair. I wish you could see the gathering in the salon. 
Every one is there. — With all her wildness, and with every 
propriety thrown to the wind, not a breath of scandal has 
touched her. The little coquette has hit us hard, every one of 
us, and we are forced to admit our ignominious defeat. 

Burleigh 

{Pause before speech.) Have you heard the story that 
before she left Madrid she tried to enter a convent? 

Eglinton 

A convent for Eugenie! 

Burleigh 

So they say; {slowly) report is that when she entered the 
nunnery to take her holy vows, a half-witted nun came 
towards her, looked at her with a vacant stare, then suddenly 
exclaimed: “ My daughter, seek not for rest within our walls. 
You are called to adorn a throne! ” 

Douglass 

Do you hear that, Louis? There is a prophecy for you ! It 
must be for your throne in France that she is going to ex¬ 
change her castles in Spain! 

[ 32 ] 


TABLEAU ONE 


Louis Napoleon 

(Indulgently .) Peace, sceptic! Who knows but that you 
may be right. Gentlemen ( holding his glass aloft), let us 
drink to the wife of Napoleon III. 

[All rise. 

And to a speedy meeting with Mademoiselle de Montijo. 

[As glasses are raised Eugenie and the 
Countess de Montijo followed by Baron Roth¬ 
schild enter through arch L. 3. D’Orsay 
turns quiclcly to Eugenie. 

D’Orsay 

A speedy meeting it shall be! — Mademoiselle de Montijo, 
permit me to present Prince Louis Napoleon, — the future 
Emperor of France! 


[Quick Curtain] 


[ 33 ] 








TABLEAU TWO 


T v ONDON in 1847. Time: following afternoon. Scene: 
garden-party at Lady Blessington’s. 

At left, set house (fine English mansion), practicable. Near 
L. 3 E., large open door, on top of run, showing steps 
leading from landing in front of door down two sides, 
low balustrade on landing. 

At right, near 2 E., an arbor, hung with flowers, seats inside. 
Extending across stage from R. 4, G. to L. 4, G., a 
box hedge, with opening in centre. At R. C., with back 
against hedge, an ornamental bench. Masses of rhodo¬ 
dendrons between bench and arbor. 

At foot of run, between general stairs, a fountain, at base 
of which is bed of violets. 

Drop at rear shows vista of trees. Back of hedge, several 
tea tables, set. 

Throughout tableau butler enters, announces guests ( no fur¬ 
ther directions ), and exits door top of run. Guests 
descend steps and greet Lady Blessington at foot, 
mingle with other guests, then go up stage through 
opening in hedge, and are served to tea. Movement and 
dumb show at rear. Servants pass and repass, serving 
guests. 

At rise, D’Orsay is discovered strolling aimlessly about. 

Butler 

(Announcing ) Count Camerata. 

[Enter Camerata , door top of run, L. 3 E., 
descends steps towards F., crosses to C. F. 

D’Orsay 

{Advancing.) My dear Count, it is good of you to have 

come early to-day, and relieve me of the beastly ennui of 

enduring my own society. 


[ 35 ] 


THE FLOWER OF DESTINY 


Camerata 

It is good of you, D’Orsay, to explain thus my lack of 
formality. But I have a reason for seeing you before the 
others arrive. 


D’Orsay 

{Ceremoniously .) Then the more welcome, as we shall have 
something to talk about. 


Camerata 

It is of my cousin, Louis Napoleon,— ( sarcastically ) 
Prince Louis Napoleon, that I wish to speak. 

D’Orsay 

Good! You couldn’t name a more promising subject. 
What an excitement he has created here in London by his 
sensational escape! 


Camerata 

Yes, — things are always sensational if he has to do with 
them. He will be here to-day? 


D’Orsay 


Naturally. 


Camerata 

Lady Blessington will receive him? 

D’Orsay 

Of course. (Pause.) Why should she not? 


Camerata 


( Meaningly .) Lady Blessington is the sponsor for the 
Montijos, is she not? 


[ 36 ] 


TABLEAU TWO 


D’Orsay 

( Impatiently .) What the devil are you driving at, 
Camerata? 


Camerata 


(Not heeding.) Lady Blessington will naturally be careful 
whom she presents to those for whom she stands sponsor? 


D’Orsay 


Undoubtedly. 

Camerata 

Then she cannot know the past history of — Prince Louis 
Napoleon. 


D’Orsay 

Indeed? Then I fear I too am ignorant. 

Camerata 

You should know. (Pause.) First of all, does he resemble 
the Bonapartes? 

D’Orsay 

(Considering.) Perhaps he favors the Teuton a bit too 
much to be an exact counterpart of his illustrious uncle. 

Camerata 

(Maliciously.) That’s it. He is no Bonaparte. He does 
not even know who his father was! 

D’Orsay 

(Chafpngly.) Poor chap ! — But is that not the Code Na¬ 
poleonic? Does it not prove him a Bonaparte? 

Camerata 


He is an adventurer! 


[ 37 ] 


THE FLOWER OF DESTINY 


D’Orsay 

(Suavely.) An adventurer? — rather let us say a soldier 
of fortune, my dear Camerata. 

Camerata 

He is in debt to everyone. 

D’Orsay 

(Laughing.) Egad, he has my sympathy, for so am I! 

Camerata 

You know of his affair with — 

D’Orsay 

(Holds up hand.) Tut, tut! — A son of Mars must ever 
worship at the shrine of Venus. 

Camerata 

Does Lady Blessington know all this? 

D’Orsay 

(With mock fright.) Heaven forbid! 

Camerata 

(Insistently.) But she should know it. 

D’Orsay 

(Lightly.) My dear Count, are you anxious to transform 
London functions into Adamless Edens? 

Camerata 

I wish to protect a lady whom I admire from the morti¬ 
fication of meeting such canaille. 

[ 38 ] 


TABLEAU TWO 


D’Orsay 

(With dignity.) Careful, Count, careful — remember you 
are both Lady Blessington’s friends, — and mine. 

Camerata 

(Suavely.) Your pardon, D’Orsay. Lady Blessington’s 
hospitality is so proverbial, and her afternoons so brilliant, 
that I wished to prevent her from being imposed upon. 

D’Orsay 

You cannot be serious, of course. You are trying to test 
my friendship for your cousin. You (with insinuation) and 
I have learned, my dear Count, not to inquire too far into 
details, have w r e not? The results are not always agreeable. 
(Pause.) Take yourself, for instance. 

Camerata 

(Startled.) Myself? 

D’Orsay 

Yes. Now, I have heard rumors about you that were a bit 
— nasty, if I had believed them. 

Camerata 

(Excitedly.) They were lies! 

[Walks up and down. 

D’Orsay 

(Restrainingly.) Of course! That’s what I say, — we 
must n’t believe all we hear. Now if Lady Blessington had 
heard these stories they might have made her — what shall 
we say — a bit nervous. And Lady Blessington’s comfort 
and happiness, you know, represent the particular duty in 
life of her unworthy step-son, whom you see before you. 
(Bows ceremoniously.) 

[Lady Blessington appears at door , top of 
run. Then enters. 


Hush! 


[ 39 ] 


THE FLOWER OF DESTINY 


Lady Blessington 

Are you in the garden, D’Orsay? 

[ D'Orsay advances to steps, to assist Lady 
Blessington’s descent. 

Ah! there is my radiant step-son, — and as gallant as 
ever! ( Shows pleasure.) 

[Places hand on D’Orsay’s arm. Both 
descend steps. At foot, Lady Blessington ob¬ 
serves Corner at a, who advances to meet her. 

Ah! Count Camerata! You must forgive me for intrud¬ 
ing. I thought D’Orsay was alone. — And the dear Countess. 
She will be here later with the Baron, I trust? 

Camerata 

(Slightly embarrassed.) I regret to say that the Countess 
finds herself unable to come to-day, Lady Blessington. 

Lady Blessington 

I am so sorry. You must bring her to see me next week 
without fail. — But I have not congratulated you yet upon 
your cousin’s, Louis Napoleon’s, fortunate escape from prison. 
How overjoyed you must be! Have you seen him yet? 

[During conversation D'Orsay looks on 
amused. 


Camerata 

{Biting his lip.) I have not yet had that — pleasure! 

[ D’Orsay looks knowingly at Camerata. 

Lady Blessington 

How charming! ( Graciously .) Then I shall be the one 
to reunite you! — You know how fond I have always been of 
the Prince. His mother Hortense and I were such friends, 
and we grieved together when his unfortunate imprisonment 
broke off his engagement to his cousin, the Princess Mathilde. 
— Can you tell me anything of her, Count? 

[ 40 ] 


TABLEAU TWO 


Cameeata 

I have not heard from her recently, Lady Blessington. 

Lady Blessington 

She and her brother, Prince Napoleon, are still living with 
their father, of course. Dear Prince Jerome, — what a 
difference this happy escape may make in the family for¬ 
tunes ! Prince Napoleon is engaged to his cousin, the Princess 
Clotilde, I think I heard. 


D’Oesay 

Mathilde did n’t die of grief, I believe. She married some 
Russian or other, didn’t she? 

Lady Blessington 

Her grief came later, my dear D’Orsay. Her husband was 
a wretch, and she had to secure a separation. (To Camerata .) 
You see I keep your family pretty well straightened out in 
spite of the intermarriages! 

Butlee 

(Announcing ) Prince Louis Napoleon. 

[Enter Louis Napoleon, door top of run, 
pauses a moment, then descends front steps. 
Lady Blessington excuses herself from Cam¬ 
erata and advances to greet Louis Napoleon, 
who hisses her hand. — Camerata looks on 
sarcastically, then turns to D'Orsay. They 
walk up and down during conversation be¬ 
tween Lady Blessington and Louis Napoleon. 
Camerata with elaborate gesture. D'Orsay 
with elegance and dignity of manner attempts 
to calm Camerata. 

Lady Blessington 

(Cordially.) Ah, Prince! I am indeed glad to welcome 
you again at Gore House. D’Orsay told me of your uncere- 

[ 41 ] ‘ 


THE FLOWER OF DESTINY 


monious call yesterday, and I trust that you have heard from 
him how joyfully we received the news of your escape. 

[Crosses with Louis Napoleon to arbor. 

Louis Napoleon 

(With feeling.) I have indeed, and I thank you most 
heartily. In all my wanderings, London has always seemed 
the most like home, and largely so because of the hospitality 
^ver extended to my mother and myself beneath your roof. 

[Lady Blessington sits and invites him to 
be seated. 

Lady Blessington 

(Quietly.) Ah, Prince! You call up memories which be¬ 
long to moments of reflection rather than to afternoons such 
as these. The dear Hortense!— (Holds out her hand.) 
See this ring she gave me long ago, when we were together 
in Rome. Every sapphire, every diamond in it is a token of 
our affection for each other. 

[Prince regards ring for a moment , holding 
Lady Blessington's hand. 


Louis Napoleon 

(Thoughtfully.) I know it well, dear Lady Blessington. 
Let me kiss again the hand that honors her by wearing it. 
(Raises Lady Blessington's hand to lips.) How much has 
happened since then,— (pause) and yet the one tiling she 
believed would occur is still unfulfilled. 


Lady Blessington 

Have faith in your destiny, my friend! (Rises.) 


Louis Napoleon 
(Rising.) It has never left me! 

[Lady Blessington and Louis Napoleon 
leave arbor and cross to C. F. D'Orsay re- 
[ 42 ] 


TABLEAU TWO 


mains an amused spectator through following 
scene. 


Lady Blessington 

(Turning to Camerata.) Your cousin, Count Camerata, 
told me a moment ago that he had as yet had no opportunity 
to congratulate you. It shall be my pleasure to give that 
opportunity to you both. 

Camerata 

(Bowing .) Lady Blessington overwhelms me with obli¬ 
gation. 

Louis Napoleon 

My thanks are due to the same degree. 

Lady Blessington 

{With gratification.) It is always so pleasant to be the 
means of giving other people happy experiences. 

Butler 

{Announcing) Baron Rothschild. 

[Enter Baron Rothschild , door top of run , 
descending steps in front. Lady Blessington 
leaves Louis Napoleon and Camerata at C., 
and greets Baron Rothschild at foot of steps. 

Lady Blessington 

Ah! Baron, I am so glad to see you, but sorry to learn 
from Camerata that your daughter cannot be here to-day. — 
I know you will be pleased to meet Prince Louis Napoleon, 
whose name is in everyone’s mouth. {Introduces Baron Roth¬ 
schild and Louis Napoleon.) 

Baron Rothschild 

{Shaking hands with Louis Napoleon.) And rightly, too, 
after his miraculous escape. {Pause.) This event, Prince, 

[ 43 ] 


THE FLOWER OF DESTINY 

is apt to change history a bit, — in England as well as in 
France. 


Louis Napoleon 

Hardly in England, Baron, but — I trust ( very emphati¬ 
cally) I believe it will in France. 

[Baron Rothschild and Louis Napoleon cross 
and hold centre front. Lady Blessington 
stands at foot of front steps and greets guests. 

Baron Rothschild 

You speak with conviction as to our own affairs, Prince. 
Are you familiar with them? 

Louis Napoleon 

{Seriously.) I am deeply interested in English politics, 
Baron. I have always enjoyed studying the English people, 
particularly the lower middle classes. They are so different 
from the French. 


Butler 

{Announcing) Lord Douglass. 

[Enter Douglass, door top of run. He de¬ 
scends f ront steps, then greets Lady Blessing- 
ton, then joins Louis Napoleon and Baron 
Rothschild. 

Baron Rothschild 

In their temperament, you mean? 

Louis Napoleon 

Yes; and in their general point of view. ( Positively.) 
A coup d’etat could never occur here in England, although 
you are, so to speak, in a state of continuous revolutionary 
progress. The London shopkeeper of to-day follows the same 
business, at the same stand, which his father and his grand¬ 
father followed before him. 

[ 44 ] 


TABLEAU TWO 


D’Orsay 

That explains a lot of things! Stupid not to have thought 
of it before! For instance, I was nearly thrown out of Crock- 
ford’s for suggesting roulette as a new form of gambling. 
Nobody would stand for it. That proves your argument, 
Prince, beyond a question. 

[All laugh at D’Orsay, then become serious. 

Douglass 

Our people lack initiative, you think? 

Camerata 

(Aside to D’Orsay .) His Imperial Majesty — Prince 
Louis Napoleon has fathomed the intricacies of English poli¬ 
tics better than the English themselves! I congratulate you 
upon the opportunity to profit by his wisdom! 

Louis Napoleon 

{To Douglass .) Not that; rather let us say that they 
have the good sense to appreciate the difficulty of making a 
livelihood among so dense a population should they once get 
off the track. 


Baron Rothschild 

But is this not also true upon the Continent, or, at least in 
F ranee ? 


Louis Napoleon 

By no means to the same extent. Your artisan knows that 
in a general scramble he has more chance of losing than of 
gaining. In addition to his loyalty, he considers it as his 
own self-interest to stand by the Government. 

Douglass 

But surely the Frenchman is equally loyal at heart? 

[ 45 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

At heart, yes; by impulse, no. Each Frenchman expects 
to better himself by a change; consequently he is always 
ready for one. He cannot be governed as your people can. 
His God of to-day is his demon of to-morrow! 

Camerata 

(Aside to D’ Or say.) He thinks himself the God of to¬ 
morrow, but he ’ll discover, some day, that these dear French 
people of his will prove his demon of to-day! 

[Baron Rothschild overhears Camerata's 
remark, and watches him carefully. 

Baron Rothschild 

{To Louis Napoleon.) Then you are relying upon this 
temperament of the French people to place you upon your 
uncle’s throne? 


Louis Napoleon 

{With great decision.) Absolutely. Were I dependent 
upon the English for my future, I should long since have 
abandoned my aspirations. {Prophetically, looking into 
space.) In France {pause), my hour may come at any 
moment. 


Baron Rothschild 

I admire your constancy of purpose, for that is ever the 
secret of success. {Slowly.) Everything comes if a man 
will only wait! 

Louis Napoleon 
{Abstractedly.) In France! 

Baron Rothschild 

Patience is a necessary ingredient of genius. {Decidedly.) 
I tell you, Prince, that man is not the creature of circum- 

[ 46 1 


TABLEAU TWO 


stance. {Pause. Slowly and very decidedly .) Circumstance 
is the creature of man! 


Louis Napoleon 
(Awakening .) It shall be! 

[During the conversation between Louis 
Napoleon and Baron Rothschild, the Butler 
has announced Eglinton, Burleigh, Evelyn, 
and other guests {supes). They greet Lady 
Blessington, then Eglinton, Burleigh and Eve¬ 
lyn join the speakers, without interrupting. 


D’Orsay 

{Interrupting.) Well, gentlemen, if you have settled the 
question of international politics, I shall venture to claim 
the Prince, to present him to our guests. We don’t often have 
an embryo Emperor in our midst, and we must make the most 
of it. 

[Baron Rothschild bows, and joins Cam- 
erata, while D’Orsay takes Louis Napoleon 
through opening in hedge, mingling with other 
guests. Movement in rear. 


Baron Rothschild 

{To Camerata.) Why are you so hostile to your cousin, 
the Prince? 

Camerata 

I hostile? What in the world gave you that idea? 


Baron Rothschild 

Your bearing toward him in general, and your last remark, 
which I overheard, in particular. — I should suppose that 
anything which promised future greatness for the Bona- 
partes would at least be not distasteful to you. 

[ 47 ] 


THE FLOWER OF DESTINY 


Camerata 

Since you are so good at guessing, suppose I say that I 
dislike him because — well, because he is not pleasing to me. 

Baron Rothschild 

And because you fear that he may be more pleasing to a 
certain young lady whom he met under rather dramatic cir¬ 
cumstances last evening. 


Camerata 

(Defiantly .) Well, what if it is? 

Baron Rothschild 

{Sternly.) Simply that I have my family honor to pre¬ 
serve from the dangers which threaten it through your infat¬ 
uation. Could you not see last night that Mademoiselle de 
Monti jo was making sport of you, to the amusement of her¬ 
self and her friends? 


Camerata 

Making sport of me, was she? We shall see! {Sees Eu¬ 
genie, and shows surprise.) 

[Louis Napoleon and D’Orsay come down 
stage to opening in hedge. D’Orsay presents 
him to Countess de Montijo, with whom they 
and Lady Blessington converse, and watch 
following scene with amusement. 

Butler 

{Announcing) The Countess de Montijo, Mademoiselle de 
Montijo. 

[Enter Countess de Montijo and Eugenie , 
door top of run. They descend front steps. 
Douglass, Eglinton, Burleigh, and Evelyn 
start toward Eugenie, impatiently awaiting 
[ 48 ] 


TABLEAU TWO 


her greetings to Lady Blessington. These 
over, they surround her, while Countess de 
Montijo remains chatting with Lady Blessing- 
ton. Camerata watches for a moment, then 
joins group. 

Eglinton 

{To Eugenie .) You gave me a very pretty race in the 
park yesterday, mademoiselle, and I am proud that my colors 
were lowered to so charming a conqueror. 

Eugenie 

You did n’t suppose for a moment that you could defeat my 
“ Vixen,” did you, Lord Eglinton ? Andalusia would disown 
her if any English horse outstripped her. 

Burleigh 

I dare say that if you’d changed horses, the result would 
have been the same. 


Eugenie 

Very prettily said, my Lord Burleigh. ( Observes Came¬ 
rata .)—Good evening, Count Camerata. (Pause.) Did 
you realize, last evening, when you were describing your 
cousin in such glowing colors, that you were calling him into 
actual existence? The Prince’s friends have to thank you for 
your act of necromancy! 


Douglass 

Egad! he called himself into existence. You must get him 
to tell you the story of his escape. We had it from him last 
night, and it was thrilling. 


Camerata 


He knows how to tell a good story, 
hear the official account of it. 


[ 49 ] 


Let us wait until we 


THE FLOWER OF DESTINY 


Eglinton 

Mademoiselle, you promised that you would tell my fortune 
the first time an opportunity offered, and someone supplied 
a pack of cards. This seems to me to be the opportunity, 
here are the cards (takes pack of cards from pocket ) and 
there is a tempting retreat. ( Directs Eugenie's attention 
to arbor.) Can we not improve it? 

Evelyn 

You made me the same promise, mademoiselle, and I am 
also provided with the accessories. ( Produces pack of cards.) 

[All laugh. 


Douglass 

I claim priority on that promise. I’ve carried these cards 
m my pocket for over a week. (Produces pack of cards.) 

[Greater laughter. 


Burleigh 

How about me, mademoiselle? (Produces pack of cards.) 
You must take us alphabetically, and I come first! 

Eugenie 

(Laughing heartily.) The gypsy fortune-teller is hoist 
by her own petard! Since I cannot please you all, I must 
turn to the only one I haven’t promised. (Looks at 
Camerata.) 

[All look ruefully at one another. 

Camerata 

I claim my rights. Mademoiselle shall tell my fortune in 
the arbor. 

[Eugenie and Cameratn. cross to arhr> r . 

r 50 1 


t 


TABLEAU TWO 


Eugenie 

{Turning back.) My promise still holds good, gentlemen, 
— but you must n’t come in droves ! 

[Louis Napoleon and D’Orsay overhear the 
last of the above dialogue, from other side of 
hedge. 

D’Orsay 

{To Louis Napoleon.) The flies around the sugar-bowl! 
Did I overstate the situation last evening, Prince? 

[All laugh. 

Louis Napoleon 


{Amused.) Apparently not. 

[D’Orsay and Louis Napoleon again mingle 
with guests. 

London society has certainly experienced an eclipse. 


D’Orsay 

I marvel at your own self-possession, Prince. 


Louis Napoleon 

I have witnessed eclipses before, my dear D’Orsay {pause), 
and have learned to wear smoked glasses. 


Camerata 

{Personal.) Ah! Eugenie, you are still magnificent! — 
Like a goddess among these insipid English women! 

[Throughout conversation, Eugenie is teas¬ 
ing and coquettish, Camerata passionate. 


Eugenie 


I am glad that you approve. 

[Countess de Monti jo looks anxiously 
towards arbor, then at Baron Rothschild, then 


[ 51 ] 


THE FLOWER OF DESTINY 


follows Lady Blessmgton to rear, beyond 
hedge. By degrees all pass through hedge. 
General movement at rear. 

Camerata 

Mon Dieu! It is like a sip of wine to see your face and 
hear your voice again! 


Eugenie 

(Sits.) You have not forgotten your pretty speeches since 
you were married, Count. 


Camerata 

(Sits at R. of Eugenie .) As if I could ever keep my heart 
from speaking out to you! 

Eugenie 

But I thought your heart was yours no longer? 

Camerata 

It is mine no longer, — it has not been mine since first we 
met! 

Eugenie 

(With mock severity.) Then you had no right to offer it 
to me in Madrid. The Countess might very properly object. 

Camerata 

Peste! But it was yours then. Why did you not take it? 

Eugenie 

(Lightly.) Because I had trouble enough in looking after 
my own heart. 

Camerata 

Ah! Eugenie, you drive me mad! I have had no thought 
since I last saw you except to get back to you, and live again 
in the sunshine of your smile. 

[ 52 ] 


TABLEAU TWO 


Eugenie 

(Laughingly.) Did you tell the Countess — your wife — 
this ? 


Camerata 

No, I did not need to tell her. She knows it all too well. 


Eugenie 

(With mock sorrow.) Oh, dear; then you have made me 
an enemy. (Rises.) 

Camerata 

(Very rapidly.) You have made me your slave, and I love 
you, love you, love you. 

[Starts to take Eugenie's hand, hut she 
withdraws it before he can touch it. Eugenie 
starts to leave arbor. Camerata tries to detain 
her. 


Eugenie 

(Laughs merrily.) Oh how amusing! (More seriously.) 
But I forget. You mustn’t talk to me like that. You are 
a married man! 

[Advances a few steps, Camerata following. 
Camerata 

Tell me that you love me. 

Eugenie 

(Tantalizingly .) Not even— (turning to Camerata and 
flipping little finger) so much. Why are you not satisfied? 
The poet says, “ They who inspire love most are fortunate, 
but those who feel it most are happier still.” Now that de¬ 
scribes your case exactly, does n’t it ? 

[D'Orsay and Louis Napoleon advance 
from rear and, unobserved, watch Camerata 
and Eugenie for a few moments. 

[ 53 ] 


THE FLOWER OF DESTINY 
Camerata 

(Desperately .) You will drive me crazy, Eugenie, with 
your indifference. Sometime I will — 

[Camerata makes motions to indicate 
suicide. 


Eugenie 

Don’t do it, Count ( crossing to C. F.). Black is fright¬ 
fully unbecoming to me, and I would n’t wear it even for you! 

Camerata 

Oh, give me the flowers which you have worn next your 
heart, that they may tell me why it is so cold! 

Eugenie 

And let them betray me? Never! 

[Camerata, in despair, and Eugenie, in 
teasing mood, cross to fountain between gen¬ 
eral stairs, and continue conversation in low 
tone. Louis Napoleon and D’Orsay come 
through opening in hedge. 

Louis Napoleon 

{Lightly.) Aren’t you going to get me a chance to con¬ 
verse with this divine sorceress this afternoon? 

D’Orsay 

{Laughing, warningly.) Are you really going to enter 
the field? 

Louis Napoleon 

Why not? Why should I be the only man in London who 
is not paying his devotions? It would make me eccentric! 
{Laughs.) More than that, I’m a bit out of practice, and 
I’d like to get my hand in again. {Pause, then speaks de¬ 
cidedly and challengingly.) I’m going to get those violets 
which she just refused to Camerata! 

[ 54 ] 


TABLEAU TWO 


D’Orsay 

A guinea that you don’t! {Pause.) Besides — I predict 
that she puts you through the same paces that she has the 
rest of us. 


Louis Napoleon 

What are they? 


D’Orsay 

(Checks off on fingers as he enumerates.) First, capti¬ 
vation ; then adoration; then contemplation; then declara¬ 
tion ; then mortification; then mystification. 

[Louis Napoleon laughs. 

You have six stages more to pass through, and then you 
may devote yourself to dreams of France! Come. 

[ Camerata, carried away hy his passion, 
falls on his knees before Eugenie. D’ Or say 
takes Louis Napoleon to them, and Eugenie, 
who is amused at the interruption, quickly col¬ 
lects herself and greets him. Camerata rises 
and scowls as D’Orsay addresses him. 

D’Orsay 

{Pointedly.) Come, Camerata, now that you have con¬ 
fessed all your sins to Mademoiselle de Monti jo, you must 
give the Prince an opportunity to do the same. {Pause.) 
There is tea awaiting you in the garden. 

'{D’Orsay, amused, takes Camerata by the 
arm. Camerata rebellious, goes reluctantly 
with D’Orsay through opening in hedge, and 
they mingle with guests at rear. 

Camerata 

{Disgustedly.) Mon Dieu! Tea, after Eugenie! 

[Through next conversation Louis Napo¬ 
leon is dignified but gallant, in contrast t'' 

r 551 


THE FLOWER OF DESTINY 


violence of Camerata. Eugenie more serious 
but still playful. Each studies the other care¬ 
fully and fences in conversation. They grad¬ 
ually grow more interested. At first they stand 
by fountain. 

Louis Napoleon 

I owe an apology, mademoiselle, both to you and to your 
mother the Countess, for my rudeness in entering your house 
last week, without first gaining permission. 

Eugenie 

There need be no question of apology, Prince. It was an 
honor to have our first soiree in London graced by the pres¬ 
ence of the future Emperor of France. 

Louis Napoleon 

Have you already joined the army of scoffers, made¬ 
moiselle ? 


Eugenie 

Scoffers? I did not suppose a single one existed, except 
your incredulous friend, Count D’Orsay, who is an atheist, 
especially as regards France! 

Louis Napoleon 

There are so many, — mademoiselle, — that I should re¬ 
gret to have you join the ranks against me. — But {surveys 
spot admiringly ) is this not a charming spot in which to ask 
forgiveness, — here where the buds are just bursting into 
bloom? 


Eugenie 

{Drops her eyes.) You are a poet, Prince. {Raises her 
eyes challengmgly.) I shall expect nothing less than a 
sonnet after that speech! {Laughs lightly, but slightly 
embarrassed .) 


[ 56 ] 


TABLEAU TWO 


Louis Napoleon 

(To Eugenie.) I did not intend so soon to give you an 
opportunity to make sport of me, mademoiselle. ( Pauses. 
Stoops and picks a few violets from bed by fountain, then 
holds them out to Eugenie.) Will you still laugh at me when 
I tell you that I am always affected by these little violets? 
(Reminiscently.) These flowers, which I am told you always 
wear ( slowly and impersonally), have been associated with 
some of the happiest and some of the most tragic events in 
the history of my family. (Pause.) Why do you always 
give the violet your preference? 

Eugenie 

(Simply.) It is my favorite flower, monsieur. (Pause. 
Speaks sincerely.) — But tell me more about the associations. 

— I am interested. 

[Eugenie and Louis Napoleon cross to R. C. 
He seats Eugenie on bench, then stands at her 
left, gazing at violets he still holds. 

Louis Napoleon 

(Begins simply, then becomes more earnest.) It started 
with the head of my House, mademoiselle. (Pause.) Napo¬ 
leon I. believed that the violet was his talisman, and his 
followers have ever cherished it for his sake. After his ban¬ 
ishment to Elba, the little flower became a recognized emblem 

— a token that he would return to Franee. He did return. 
As he passed triumphantly through hamlet to hamlet, through 
village to village, through city to city, on his way from the 
coast to the Tuileries, peasant women and noble ladies vied 
with each other in strewing huge bunches of violets beneath 
his feet as he passed by. This was one of the happy events. 
(Pause. Continues with emotion.) On the other hand, when 
my cousin, the Due de Reichstadt died, his bier was heaped 
high with the beautiful blossoms we had hoped he might one 
day wear, as Napoleon II., upon the throne of France. 
(Pause.) We still believe in the efficacy of our talisman, made¬ 
moiselle, — it is our flower of destiny, — but you cannot 

[ 57 ] 


THE FLOWER OF DESTINY 


be surprised that as heir to that noble heritage, I sometimes 
wonder whether it will bring for me happiness or tragedy. 
(Long pause, as if looking into future. Then suddenly recalls 
himself.) —But tell me what the flower means to you, 
mademoiselle. 

Eugenie 

(With effort throwing off effect of Louis Napoleon's re¬ 
cital.) It means — {Pause.) 


Louis Napoleon 

Surely you have some reason for preferring it? 

Eugenie 

A woman’s likes and dislikes can rarely bear investigation. 
I love the flower, perhaps for no other reason than the pretty 
legend which surrounds it. 

Louis Napoleon 

(Sits at L. of Eugenie on bench.) What legend, made¬ 
moiselle ? 

Eugenie 

Surely you have not forgotten your mythology, Prince! 

Louis Napoleon 
I must plead ignorance. 


Eugenie 

Why, the pretty little story of Io, the mortal with whom 
Jupiter fell in love, who was changed into a heifer by the 
jealous Juno. Jupiter so pitied the unfortunate creature, 
that he created the violet that she might eat its petals. 

Louis Napoleon 

(Graciously .) A pretty conceit, mademoiselle. I shall 

write it out and preserve it in our family archives. (Gal- 

[ 58 ] 


TABLEAU TWO 


lantly and more lightly.') But think how much more the little 
flower has been honored since then! 

Eugenie 

(Quickly and coquettishly.) As the emblem of your House, 
monsieur. 


Louis Napoleon 

( Correcting, still gallantly.) As the object of your devo¬ 
tion, mademoiselle. 

[D’Or say and Carrierata enter through 
hedge. 


D’Orsay 


Mademoiselle, your mother the Countess bids me say to you 
that she is leaving. 


[ D’Orsay proffers arm. 


Eugenie 

(Rises.) Then you must excuse me, Prince. 

[Pauses before accepting D’Orsay’s arm. 
Turns to Louis Napoleon and holds out 
hand impulsively, glancing tantalizmgly at 
Camerata. 

I am so glad to have met you. (With much manner.) I 
had no idea that future emperors could be so agreeable! 
(Turns to D’Orsay.) 


Louis Napoleon 

Before you leave, will you not give me as a souvenir these 
violets you are wearing, — (pause. Looks into Eugenie’s 
eyes) our flowers of destiny? 


Eugenie 

(Shows effect of Louis Napoleon’s personality. Replies 
with mock injury.) And disarrange my costume, monsieur? 

[ 59 ] 


THE FLOWER OF DESTINY 


[Camerata tries to get Eugenie away. 
D'Orsay good-naturedly withdraws. Lady 
Blessington and guests come up from rear, 
and show amusement by dumb show. 

Louis Napoleon 

( Gallantly, but insisting.) But you have no need of 
flowers. Your costume is quite complete without them. 

Eugenie 

( Coquettishly .) Fie on you, Prince, to try to rob me of 
my only decoration, when you will have thousands of violets 
thrown at you as you march to Paris! 

[Eugenie turns smilingly to Camerata, who 
is pleased by her refusal, takes his arm, and 
goes to foot of back general stairs. 

Camerata 

(To Eugenie.) Does he think he can get what you have 
already refused me? 


Eugenie 

You didn’t really want them, did you? 

[Starts up stairs with Camerata. 

Louis Napoleon 

(Following.) You are unkind, mademoiselle! (Watches 
her closely.) 

[Louis Napoleon turns back. D'Orsay by 
dumb show indicates that he has won bet. Louis 
Napoleon chagrined. At top of landing, in 
front of door, Eugenie pauses and looks down. 
She disengages flowers, and Camerata awaits 
them expectantly. 

Eugenie 

(To Louis Napoleon.) Do you still persist? 

[ 60 ] 


TABLEAU TWO 


Louis Napoleon 

(Eagerly advancing toward fountain .) I do! 

[Eugenie tosses violets down to Louis Na¬ 
poleon, Camerata trying to prevent. Eugenie 
watches roguishly for a moment, then, with a 
peal of laughter, disappears through door top 
of run. Camerata follows angrily. Louis Na¬ 
poleon eagerly picks up violets, and holds them 
out triumphantly to D'Orsay, who shows 
amused approval, admitting his defeat. 

[Quick Curtain] 


[ 61 ] 










TABLEAU THREE 


ADEN in 1847. Time: morning three months later. 
Scene: Promenade de Sept Heures in front of Trink- 
halle. 

At rear, set house (practicable) showing fa 9 ade of Trink- 
halle. Near R. 2 E. and L. 2 E., broad steps leading 
up to three-foot run extending across front of building. 
In front of run, balustrade extending up about two 
and one half feet, and down to boards. R. D., C. D., 
and L. D., practicable. At R. F., near R. C., a bench. 
At L. F. near C. F., a set tree with circular seat. 

At rise and at intervals during tableau, men and women, 
singly and in groups, talking and laughing, are seen to 
enter, and exit from doors top of run, and later exit at 
R. 2 E. and L. 2 E. 

[Louis Napoleon, D'Orsay, and Douglass 
enter R. D. top of run. D'Orsay, crippled 
with gout, is supported on left side by Louis 
Napoleon and on other side by Douglass. 
D'Orsay betrays pain while all three cross to 
R. on run and descend steps near R. 2 E. 
They cross to R. F. near R. C. and seat 
D'Orsay on bench. 

D’Orsay 

(With deep sigh.) The saints be praised that we are here 
at last! I always thought tradesmen and bailiffs represented 
the supreme ecstasy of human suffering ( gives exclamation ), 
but a gouty leg makes them seem like friends of the debtor 
and the spendthrift. — Bah! 

Douglass 

( Standing back and surveying D'Orsay.) Your misfor¬ 
tunes have not caused you to forget your duty as the mirror 

[ 63 ] 


THE FLOWER OF DESTINY 


of fashion. ( Steps aside, surveys D’Orsay.) Let me see,— 
here is jour prescription for a gouty leg at Baden in the 
month of August, — a white coat, a blue satin cravat, prim¬ 
rose gloves, scented with — ( sniffs ) yes, scented with eau de 
jasmin, buff trousers, and patent leather shoes, whose lustre 
is second only to the sun! 


D’Orsay 

(Showing temper.) If you are to pester me like this, 
Douglass, I shall have gained nothing by leaving that cursed 
Trinkhalle, and its nasty water. ( Makes face.) Egad! I 
thought that was bad enough, with each particular group 
tearing into shreds the reputation of every person not sitting 
in their particular vicinity! ( Show of disgust.) Whatever 
other potentiality these waters here possess, they certainly 
encourage conversation. 

Louis Napoleon 

{Amused.) You should keep your temper as unruffled as 
your dress, my dear D’Orsay. Without some malady such 
as this, you would have no excuse for being at Baden. 

D’Orsay 

{Rather crossly.) By the same token {turns around sud¬ 
denly, forgetting gout. Shows signs of pain) what excuse 
have you to be here? 


Louis Napoleon 

I have asked myself the same question. 

Douglass 

And what was your answer, — Mademoiselle de Montijo? 

Louis Napoleon 

{Laughing.) Without Mademoiselle de Montijo’s pres¬ 
ence at Baden, the waters would surely lose much of their 
efficacy. 


[ 64 ] 


TABLEAU THREE 


D’Orsay 

(With emphasis.) You loill admit that much, in spite of 
your indifference? 


Douglass 

Do you know, Louis, you are the only eligible man here 
who has passed through the season without declaring himself 
to our Queen of Beauty? 


D’Orsay 

How the devil have you done it? Have you a heart of 
stone, man, or has Heaven given you some magic philter, to 
preserve you unscathed for your glorious destiny. ( Waves 
arm and in so doing lets his cane fall.) Damme, there goes 
the best leg I’ve got! 

[Louis Napoleon stoops, and picks it up. 
As he does so, a silken case falls from his coat 
pocket. Douglass quickly picks it up in spite 
of protests, and examines it quickly. 

Douglass 


Ah, ha! 


Louis Napoleon 

(Sternly, holding out hand.) Give me that, Douglass! 

D’Orsay 

(Reaching out and talcing it.) Give it to him, Douglass. 
(Puts it to nose.) But wait a minute! This may be the 
magic philter! (Opens case.) 

[Douglass restrains Louis Napoleon. 
D’Orsay 

Violets, as I live, — dried, faded, violets! (Thinking.) 
— Now let me see — There’s something reminiscent about 

[ 65 ] 


THE FLOWER OF DESTINY 


this. {Pause, then with conviction.) I have it! — Gore 
House, — Camerata — Eugenie throwing violets! 

[Louis Napoleon makes final effort to get 
case. D'Orsay holds it beyond reach. 

Would you take these away from me, you sly dog? Remem¬ 
ber my bet! — They cost me a guinea ! 

Douglass 

A silken case, — faded flowers — worn next the heart! 
(Chaffin gly .) Ah, ha! cousin! perhaps there’s not so much 
indifference after all! {Walks up and down stage showing 
mirth.) Oh, dearie me, — this is jolly — rummy! 

[ D'Orsay and Douglass amused. 

Louis Napoleon 

{Accepts situation.) Gentlemen, I shall put them to a 
good use at the proper time. Until then {takes case from 
D'Orsay, who hands it to him), with your permission, I place 
them in a safer treasure-house. {Replaces case in pocket, 
then becomes lost in thought.) 

[D'Orsay and Douglass both study him. 


D’Orsay 

{Puzzled and irritable.) Look here, Louis, you are beastly 
poor company this morning. {Pause.) Anything else on 
your mind — except those violets? 


Louis Napoleon 

You have evidently forgotten the date, D’Orsay. 


Douglass 

{After a moment's thought.) By Gad! — The elections in 
F ranee! 


[ 66 ] 


TABLEAU THREE 


D’Orsay 

( Surprised. .) Damme, I ’d forgotten all about them! 

Douglass 

(With sympathetic interest .) No wonder you’re on the 
anxious seat. ( Puts his hand on Louis Napoleon's shoulder.) 
Old chap, I hope you’ll w r in out ( incredulously ), but I 
wish I had more faith in your dreamings. {Pause.) You ’re 
only standing for deputy, are n’t you? 

Louis Napoleon 

De-pu-ty ? Well — {with strong feeling and emphasizing 
each word) but give me once foothold in France, — grant me 
the opportunity to work out my destiny on French soil, even 
in the capacity of de-pu-ty {with determination) and I will 
guarantee to turn my dreamings into realities. 

D’Orsay 

Does Persigny think you stand a chance? 

Louis Napoleon 

Yes, his confidence is supreme. {Trying to reassure him¬ 
self.) His position as head of the Bonapartists should place 
him in possession of accurate information; and yet — 

Douglass 

And yet— {incredulously) surely your confidence is not 
weakening ? 


Louis Napoleon 

{With feeling, and taking stage.) Do you not realize, 
Douglass, what it means to me, — after all these years, — at 
last to be confronted with the crisis? {Pause.) In the midst 
of disappointment, in the face of danger, I have never 
flinched, never lost hope; but with the first sign of success, 
I admit, I find my faith wavering. {Nervously.) My fate 

[ 67 ] 


THE FLOWER OF DESTINY 


has already been decided in France, and a messenger should 
arrive to bring me tidings not later than to-morrow morning. 
I have no reason to expect anything unfavorable. I believe 

— I am convinced — that our strategy has been successful, 

— and yet for the first time in my life I am actually trem¬ 
bling. Great God! I am ashamed of myself! ( Strongly 
affected by his emotion .) 


D’Orsay 

Come, let’s go back to that cursed Trinkhalle. The spicy 
mouthings of the scandal-mongers in there will get your 
mind in another channel. 

[Starts to rise, assisted by others. They 
slowly and with difficulty walk to foot of steps 
at R. of Trinkhalle. 

Damme, Louis, you ’ve let us in for a bit of excitement 
since your return! 


Douglass 

If your “ destiny ” amounts to nothing else, cousin, your 
faith in it has kept your friends from expiring from ennui 
these months. 

[Douglass assists D'Orsay, who hobbles up 
steps. Louis Napoleon follows. Douglass 
and D'Orsay enter Trinkhalle. Louis Napo¬ 
leon stands alone outside for a moment. 

Louis Napoleon 

(Invoking.) Oh, Destiny, — my guiding star! Prove 
thyself my own true goddess, and not the fickle jade these 
doubters would fain make me believe thee! 

[As Louis Napoleon enters Trinkhalle, 
Eugenie enters nonchalantly L. 2 E., followed 
at little distance by Camerata. She turns and 
looks back at Camerata, who is sulky, and 
laughs heartily. 

[ 68 ] 


TABLEAU THREE 


Eugenie 

Oh! you silly boy to spoil so charming a morning with 
such a vile exhibition of temper! Come and try the waters! 
( Walks towards steps near R. °Z E.) I have never heard 
that they would cure a disagreeable disposition, — such as 
yours, — but they cure everything else, so do try them! 

Camerata 

(Passionately.) You will drive me to desperation if you 
keep on. — I can endure it no longer! 

Eugenie 

{Innocently feigning ignorance.) Endure what? 

Camerata 

{Growing serious.) You dare to ask! You who play 
with me, as a cat would play a mouse! Giving me joy, hap¬ 
piness, — hope, only to dash it all to pieces the next moment. 
I have waited patiently. 

Eugenie 

{Indifferently.) Not — oucr-patiently, perhaps! 

Camerata 

I believed that the warmth of my love must thaw out the 
icy coldness of your heart! 

Eugenie 

But I have given you my friendship. 

Camerata 

Friendship, — yes.— But that is not enough for me! 

Eugenie 

{Growing more serious.) Not enough? Do you forget 
that you are married, Count? I believe the marriage laws 
do not permit a man to have more than one wife. 

[ 69 ] 


THE FLOWER OF DESTINY 


Camerata 

(Impatiently.) Peste! what are marriage laws when a 
man loves as I love you! You know why I married that 
simple-minded little fool who thinks I should devote myself 
to her just because her father paid my debts. Mon Dieu, — 
she has no life, no vivacity, no soul! She has not even made 
me jealous — once! ( Warmly.) But you—( passionately) 
ah! Eugenie, you and I were made for each other! (Plead¬ 
ingly.) You will be kind, be good! 

Eugenie 

(Sits on bench wearily.) I should think you would get 
tired saying that, over and over again. 

Camerata 

(Meaningly, comes close to bench.) What would you say 
if I told you that I should wait no longer? 

Eugenie 

(Indifferently.) I should say “ good-bye,” and wish you 
a very pleasant journey. 


Camerata 

But what if on that journey I should have you close beside 
me, — to Italy, to the Riviera, where you like, — just you 
and I! Ah! you should be more than wife to me! Then 
you would let me hold you in my arms, then you would let 
me kiss you, — as you never yet have done. Ah! Eugenie, 
tell me you will go with me! 

Eugenie 

(Indignantly.) You forget yourself, Count Camerata! 
(Starts again toward steps near R. 2 E.) 

[Camerata steps in front and blocks way. 

[ 70 ] 


TABLEAU THREE 


Camerata 

( Passionately .) Yes! I forget myself — I forget every¬ 
thing except you! — Tell me you will go with me! 

[Eugenie tries to pass Camerata, who backs 
tozvard steps, and still prevents her passing. 

Eugenie 

( Imperatively .) Silence, Count Camerata! You and I 
have both been mistaken. I supposed you to be at least a 
gentleman! 

Camerata 

(Not heeding.) But you shall answer me! 

Eugenie 

I shall not answer you. Your insult requires no answer. 

[Eugenie makes fined effort to pass Came¬ 
rata but he further blocks way by stepping 
zip backwards on to the bottom step leading to 
Trinkhalle. 

Camerata 

But you shall answer me, ma cherie! 

[Camerata embraces Eugenie and kisses 
her passionately. She struggles, and with 
nervous effort breaks away from him and 
rushes up steps. At top she turns. 

Eugenie 

(With indignation.) You coward! [Pause. Shows phys¬ 
ical reaction after struggle, makes great effort.) \ ou have 
vour answer, without my speaking. — Understand, — all is 
ended between us forever and eternally. Since you have not 
the decency to relieve me of your contemptible presence, I will 
leave you. — You coward! 

[Eugenie turns to enter R. D. top of run. 
Door opens and Louis Napoleon, D'Orsay, and 

[ 71 ] 


THE FLOWER OF DESTINY 


Douglass enter. She controls herself quickly, 
with great difficulty. Camerata drops de¬ 
jectedly on bench R. F. 

Eugenie 

(With forced laugh.) What! gentlemen, would you stay 
indoors this glorious morning, when all the beauties of 
Nature are waiting to welcome you outside? 

D’Orsay 

Why should we exert ourselves ( makes show of his infir¬ 
mity ), mademoiselle, when the beauties of Nature come to us? 

[All walk down stairs, Eugenie and Louis 
Napoleon leading. 

Eugenie 

Your affliction does not seem to affect your gallantry, 
Count D’Orsay. 


Louis Napoleon 

You at least have improved your opportunity, mademoi¬ 
selle. (At foot of steps sees Camerata. Shows surprise.) 
But what has happened to my dear cousin? 

[Camerata looks sullen and does not answer. 

Eugenie 

(Looks at Camerata, speaks sarcastically.) Your cousin 
is tiring of Baden, Prince, and longs to return to Paris. I 
have just bidden him farewell, and we regret that the time 
has come when we must part. (Pause, absorbed in thought. 
Change of manner.) May I ask you, Prince, to be his sub¬ 
stitute, to take me to the hotel? 

[Louis Napoleon offers Eugenie his arm. 
She takes it, and as they pass in front of 
Camerata he looks curiously at the latter, who 
does not notice Louis Napoleon, but looks be- 

[ 72 ] 


TABLEAU THREE 


seechingly at Eugenie, who does not notice 
him. D’Orsay has come down steps with much 
effort, Douglass assisting. They have not 
paid attention to what others have been doing 
until Eugenie’s last lines. 

D’Orsay 

Then Camerata must be his substitute. If I am left alone 
with Douglass, I shall succumb to my malady! 

Douglass 

If I am left alone with D’Orsay, I shall succumb to his bad 
temper! 


Eugenie 

{Laughing.) If I rob you of one attendant I must surely 
supply you with another. {Nervously.) I hope you will 
find him good company! 

Louis Napoleon 

{To D’Orsay.) Since you have but one leg and a cane to 
walk upon, suppose you hobble ahead of us to the hotel. 

[Louis Napoleon and Eugenie step bach to 
allow D’Orsay and Douglass to pass. Came¬ 
rata rises, crosses to L. behind Louis Napo¬ 
leon and Eugenie, joining the two men. 

D’Orsay 

{Good naturedly.) The old story of the tortoise and the 
hare, is it? {Pause.) Well, I ’ll lay you a guinea the tortoise 
wins! 

[Aside to Louis Napoleon, who is at L. of 
Eugenie. All amused. Camerata’s laugh 
forced. 

I shall win this bet! 

[ D’Orsay and Douglass cross to L. % E., 
talking and laughing. D’Orsay hobbles. Exit 

[ rs ] 


THE FLOWER OF DESTINY 


L. 0 E. Carrier at a follows more slowly. Be¬ 
fore leaving he turns to Eugenie, who has 
turned to look after him. She straightens 
up, looks away and shivers. Camerata sneers, 
and exits L. % E. Louis Napoleon and Eu¬ 
genie remain C. 

Eugenie 

(Starts slowly to follow.) I am selfish to take you away 
from D’Orsay and Douglass. 

[Louis Napoleon follows. 

Louis Napoleon 

On the contrary, mademoiselle, I much appreciate the 
opportunity of having you quite to myself, even for a few 
moments. I am not often so fortunate. 

Eugenie 

{Archly.) Is it not your own fault, Prince? 

Louis Napoleon 

In that case, may we not prolong this present opportunity? 

Eugenie 

{Lightly.) You have indeed taken me at my word. I 
must have an hour to dress for lunch, but we may perhaps 
give the others a little start. {Laughs.) 

[Eugenie takes front place on circular seat 
around tree L. F. Louis Napoleon stands at 
R. of hut slightly behind Eugenie, who is 
silent, showing by dumb show that her mind 
is still disturbed. Louis Napoleon is also 
silent, watching Eugenie with interest and 
curiosity. She remains unconscious of his 
gaze. 


Louis Napoleon 


{Feeling his way, personal.) Mademoiselle 

[ 74 ] 


TABLEAU THREE 


[Eugenie is slightly startled hy sound of 
Louis Napoleon's voice. Forces herself with 
effort back to present, and looks up. 

I have to thank you for having taught me that there are 
gardens of Paradise outside of France. I had not believed 
that they existed, but you have made Baden such a spot for 
me. ( With more confidence.) Your words just now have 
given me the courage to tell you so. 

Eugenie 

( Simply, ignoring compliment.) Baden is indeed a Gar¬ 
den of Paradise, Prince, — but there are many other gardens 
— such as this — outside of France, — if one but seeks for 
them. 

Louis Napoleon 

[Sincerely.) I would not have agreed to this before I met 
you, mademoiselle. All my life while outside of France has 
been a long protest, and I believed that no other country, 
however beautiful, could match that which I have always 
regarded as my heritage. [Pause.) I am still loyal to my 
old-time beliefs, but perhaps less prejudiced, since I now 
realize that these Gardens of Paradise must exist elsewhere, 
all over the world [pause, with emphasis), — wherever you 
are! 

Eugenie 

[Surprised, rises quickly.) Monsieur! 

Louis Napoleon 

[Goes nearer to Eugenie. Protests.) Be not offended, 
mademoiselle. My friends — your friends — have told me 
that you are an enigma, that life means to you only the 
pleasure which can be extracted from it, that your heart is 
cold. Since I have known you I believe that I have learned 
how falsely they judge you. You are adventurous — 

Eugenie 

[Interrupting proudly.) I am of the same race as Don 
Quixote and the Cid, monsieur. 

[ 75 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

{Sincerely.) You are as adventurous, but you are also 
as brave, mademoiselle. 

[Eugenie, who has been looking at Louis 
Napoleon, turns slightly away, facing front. 

You are fond of pleasure, but you give of it quite as freely 
as you take; you have built a barrier about your heart to 
withstand the many attacks made upon it, but behind that 
barrier, which some fortunate man will one day break down, 
it beats with a strength and devotion which only great natures 
possess. {Pause, takes step forward.) Am I not right, 
mademoiselle? Have I not interpreted the riddle which has 
baffled all the others? 


Eugenie 

{Turns to Louis Napoleon, speaks quietly.) Why do you 
feel so confident that you are right and the others wrong, 
monsieur? 


Louis Napoleon 

You have been my guide, mademoiselle. 

Eugenie 

{Stirprised.) I? 


Louis Napoleon 

Yes, you. All my life I have been forced to think alone, 
to draw my own conclusions, and to abide, often quite by 
myself, by the strength of my convictions. {Pause.) For 
instance {impersonally) , if I may be personal for a moment, 
I believe without the shadow of a doubt that France will call 
me back to my own; yet even my closest friends think of me 
as a dreamer, and have no faith in what I feel to be my 
destiny. No one shares this confidence with me, yet— {as 
though about to predict.) 


[ ™ ] 


TABLEAU THREE 


Eugenie 

{Interrupts. Speaks with dignity, hut in low voice.) 
There is one who shares it with you, monsieur. 

Louis Napoleon 

{Surprised.) Not you, mademoiselle? 

Eugenie 

{Quietly, hut firmly. Sits and looks up at Louis Napoleon.) 
I do. I have no earlier recollection than of being taught by 
my father that the Bonapartes would surely be restored to 
F ranee. 


Louis Napoleon 

{Surprised.) Your father a Bonapartist? But he was a 
Spaniard, was he not? 


Eugenie 

Yes; but an ardent supporter of the great Napoleon. He 
served under him, monsieur {proudly), and in 1814 fired the 
last shot against the allied troops. 

Louis Napoleon 

This is indeed a coincidence. {Pause.) It was stupid of me 
not to have associated the Count of Teba with your father. 

Eugenie 

That is not strange, Prince. My father died many years 
ago, after succeeding to his brother’s title, but his confidence 
in your House never wavered. I did not think so much of his 
prediction until I met you, but since then I have recalled it 
with added force. 


Louis Napoleon 

{Sits at R. of Eugenie, and leans towards her. Personal.) 
Then the violets which you wore the first time I saw you, and 
which you wear to-day, are not accidental? {Pause, with 

[ 77 ] 


THE FLOWER OF DESTINY 


meaning .) You told me simply that they were your favorite 
flowers. ( Mild reproof.) 


Eugenie 

(With girlish sweetness and simplicity.) So they are, 
Prince; but my love for them began when I first was old 
enough for my father to twine them in my hair. (Slowly.) 
Before I was born, my mother has often told me, my father 
always had violets in the house, telling her, over and over 
again, that so long as the violet bloomed, it was a proof that 
“ Papa la Violette ” would return in the Spring. Then when 
Napoleon died, and I was born upon the anniversary of the 
same day, I suppose my father connected the two events in 
his mind. On the day following, he came to my cradle with 
a bunch of violets, for which he had sent a shepherd to the 
heights of the Sierra Nevada, and as he strewed them over 
me, my mother heard him say, with grief still showing in his 
voice, “ My daughter, you can never wear these for our great 
Napoleon; (slight pause) his colossal labors are at an end. 
But let these blossoms, his flowers of destiny and your birth- 
flowers, be an emblem to you that the name still lives (firmly), 
and that his descendants will again sit upon the throne of 
Franee! ” 

[Louis Napoleon is strongly affected by 
Eugenie's recital. 


Louis Napoleon 

(Apart.) Another token ! (Both are silent. Louis Napo¬ 
leon regains composure.) You have loyally fulfilled your 
trust, mademoiselle. I have met with many coincidences in 
my life, in all of which I have seen a promise of the final 
success of my ambition, but rarely one which has so pro¬ 
foundly moved me. 


Eugenie 

(More lightly but sincerely.) I have another reason — a 
silly one— (slight, conscious laugh) for wearing them. 
(Pauses as though undecided whether to continue.) An old 

[ 78 ] 


TABLEAU THREE 


gypsy woman once told me that my happiness would bloom 
with the violets. 

[Eugenie look's shyly into Louis Napoleon’s 
face. He meets her look sincerely. There is 
a moment’s pause. They hold the picture dur¬ 
ing Louis Napoleon’s speech. 

Louis Napoleon 

A prophecy, mademoiselle, which I trust may ever hold 
true. ( Pause.) 

[Eugenie looks down, Louis Napoleon shows 
momentary hesitation, then speaks with force 
and intensity. 

You have been good enough to let me tell you of my hopes 
and my ambitions, mademoiselle; will you not let me tell you 
more ? 

Eugenie 

( Echoing .) More, monsieur? 

[Louis Napoleon draws nearer. Eugenie 
moves slightly away, hut faces him more 
fully. 


Louis Napoleon 

{Personal.) As my family believes in the destiny which is 
wrapped about that tiny flower, in the final success of our 
House, so do I believe that my own future success and happi¬ 
ness depend upon this woman here beside me, who wears them. 
( Warmly .) Eugenie, you have told me that you shared my 
dreams. (Draws nearer, insistently.) Will you not also 
share their realization? 

[Louis Napoleon attempts to embrace Eu¬ 
genie. She draws hack, hut allows him to 
retain her hand, which he passionately presses 
to his lips. Eugenie struggles with her emo¬ 
tions for a moment, then covers her face with 
her hands and hursts into tears. 

{Astonished and troubled.) Eugenie — Eugenie! what 
have I said — what have I done ? 

[ 79 ] 


THE FLOWER OF DESTINY 


Eugenie 

It is all my fault. You could not understand. {Trying 
to control herself.) I deserve to suffer, and I accept my 
punishment. 


Louis Napoleon 

(Still more astonished.) Deserve to suffer — your punish¬ 
ment — I do not understand. 

Eugenie 

You shall understand. {Recovers self-control with effort. 
Speaks with determination.) You must understand how little 
I deserve the honor you have offered me. I am nothing but 
a wilful, selfish coquette, and I despise myself for it. {Pause.) 
I deliberately tried to win your love for no other reason than 
to gratify my vanity. I pictured to myself the satisfaction 
of declining the affection of a Prince of a once powerful 
family, who might himself become the Emperor of France. 
I admit it now to you, to my shame. But while I, in my weak¬ 
ness, have been striving to accomplish this, you in your 
strength have taught me what love really is. 


Louis Napoleon 

But if you do love me, now, why the suffering — why the 
punishment? I care not how it all began, if the ending bring 
me a realization of my hopes. 

[Eugenie looks at him gratefully. 

Eugenie 

You are generous, Prince {with womanly dignity and 
love) ; but with that love there also comes to me an appreci¬ 
ation of the responsibility. {In straightforward manner.) 
You are the descendant of a royal House. You belong to 
your country, and are not free to offer yourself except to 
some Princess of rank equal to your own. {With dignity.) 
I am proud indeed to know that were we upon equal footing 

[ 80 ] 


TABLEAU THREE 


I might share in the final triumph of your destiny; but — 
(pause, sadly but decidedly ) that cannot be. 

Louis Napoleon 

(Shows incredulity.) Cannot be, mademoiselle? 

Eugenie 

(Looking at him shyly and sweetly.) The symbols of the 
violet — loyalty and devotion — still hold true, my Prince, — 
(deeper tone) loyalty to the house of Bonaparte, as taught 
me by my father;— (shows almost worship) devotion to the 
present head of that House, as taught me by my heart! 

Louis Napoleon 

(Warmly.) If this is true, Eugenie, — surely you will 
not deny me the happiness I find almost within my grasp? 

Eugenie 

Because it is true, I must deny myself the greatest j oy that 
has ever come to me. (Firmly.) Believing as I do that your 
ambitious dreams will be realized, and proud as I am to know 
that my love for you finds an answer in your heart (appealing 
to his reason) think how false I should be to my devotion were 
I to accept the sacrifice you offer. 

[Louis Napoleon starts to interrupt. 

No, do not interrupt. 

[Louis Napoleon assents unconsciously to 
every point Eugenie makes. Eugenie watches 
his changing expression with sad satisfaction. 

You wish to go to Paris. You long for the possession of 
power, — to become consul, President (pause), possibly Dic¬ 
tator. Suppose you attain to the first of these, will that 
satisfy you? (Pause.) 

[Louis Napoleon’s face betrays his great 
ambition. Eugenie smiles sadly. 

[ 81 ] 


THE FLOWER OF DESTINY 


Will it appease your ambition? (Pause.) Will you not 
aspire still higher? Ah! you know you will, — and how 
burdensome a wife would be to you! 

[Louis Napoleon insists. 

If, as you hope, you become Emperor, the place for an 
Empress must be kept vacant. ( Lovingly but with dignity.) 
Yes, I love you, and I rejoice to be able to tell you so; — 

[Louis Napoleon attempts again to embrace 
her, but she still puts him off. 

but as a proof of that love I must prevent you from making 
the mistake which might destroy your every hope. 

Louis Napoleon 

(Still insistently.) You are cruel, Eugenie. (Slightly 
irritated.) I have counted every cost before speaking to 
you. (Pause, with determination.) If I can force France to 
accept me (pause) I can also force France to accept you as 
my wife. 


Eugenie 

(Following him, but with determination not to yield.) 
Perhaps; — but at double the effort; and perhaps the 
strength which would place you upon the throne would prove 
insufficient for the double task. (Decidedly.) There must 
be no cost to count. (Rises.) 

Louis Napoleon 

(Rises.) Then this is your final answer? 

[Eugenie hesitates. 


Eugenie 

No, it may not be. (Pause. Looks at Louis Napoleon. 
With emphasis.) If you are unfortunate in your plans,— 
if events do not turn out as you wish, — if France does not 
offer you what you expect from her, — (smiles radiantly) then 
come back, — 


[ 82 ] 


TABLEAU THREE 


[Louis Napoleon starts toward her, but she 
holds up her hand. 

but only then, — and I will answer you. {With womanly 
strength and love.) Remember that my heart beats strong 
enough to make up to you for all sorrow, all disappointed 
hopes! 

[Louis Napoleon passionately takes her in 
his arms and embraces her. Eugenie disen¬ 
gages herself in confusion. 

Eugenie 

Oh! Prince! (Pause.) Not that! 

\Eugenie runs off stage, L. 2 E. Louis 
Napoleon watches her for a moment. Then 
takes silken case from pocket, and presses it 
to lips. Holds picture. Douglass’ voice is 
heard outside. Louis Napoleon hastily re¬ 
turns case to pocket. Throws off spell of Eu¬ 
genie's personality. 

Douglass 

(Catling.) Louis — Louis — where are you? 

[ Douglass enters excitedly, L. £ E. 

Ah! (breathlessly) here you are! — Persigny has arrived. 
— Looking for you everywhere. 

Louis Napoleon 

(Shows surprise and great excitement.) Persigny! — 
Where? (Starts to leave, L. % E.) 

\Persigny enters quickly, and drops on his 
knee before Louis Napoleon. 

Persigny 

Here, sire! 

Lotus Napoleon 

Quick — the news! (Motions Persigny to rise.) 

[ 83 ] 


THE FLOWER OF DESTINY 


Persigny 

(Rises.) The people of France have spoken! 

[Louis Napoleon shows joy and reaction 
after strain. 

Louis Napoleon 
(Proudly.) My people! 

Persigny 

(Rapidly.) The decree of banishment has been abrogated! 

Louis Napoleon 
(Eagerly.) They have forced it! 


Persigny 

You have been overwhelmingly elected! 

Louis Napoleon 


Thank God! 


Persigny 

The people demand your presence in Paris! 

Louis Napoleon 

(Triumphantly.) At last! (Pause. Tries to realize sud¬ 
den turn of affairs. Grasps Douglass’ hand.) Cousin ! — 
the dreamer wakes. (Pause. Aside to Douglass.) Tell 
Mademoiselle de Monti jo. — Good-bye, — till our next 
meeting! 


Douglass 


In Paris! 


[ 84 ] 


TABLEAU THREE 


Louis Napoleon 

As my guest, — at the Tuileries ! 

[Exeunt Louis Napoleon and Persigny, L. 
<2 E. 


[Quick Curtain] 


[ 85 ] 







TABLEAU FOUR 


ARIS, December 2, 1851. Time: evening four years 
later. Scene: Salle des Ambassadeurs at the Elysee 
Palace during President’s reception. 

White and gold salon, with yellow brocade furniture at vari¬ 
ous places. 

At L. 2 E. and L. 4 E. long windows with yellow brocade 
draperies. Glass in window L. 2 E. practicable, so 
glass may be broken. On flat L. 3 E. long mirror. A 
candelabrum, practicable, filled with lighted candles on 
each side of mirror. 

At R. 2 E. a large painting, “ The Birth of the Violet ” 
(illustrating story of Jupiter and Io) covering panel 
entrance. At R. 3 E. arch opening. At R. 4 E. another 
long painting. 

From R. 4 G. to L. 4 G. an opening consisting of three 
arches of equal size. Yellow brocade draperies behind 
arches, drawn way back, cord hangs at corner between 
left arch and window L. 4 E. to draw curtains at rear. 

Drop at rear shows hall. Against drop grand staircase, 
practicable, leading up to a run. Elaborate gilt balus¬ 
trade hung with flowers for stairs and run. On each step 
a guard in uniform. Tall candelabrum resting on floor 
at each side of foot of staircase. 

At rise, general movement at rear, guests move to and fro, 
showing, when needed, officers of the army and navy and 
officials of the palace. Elaborate costumes for the ladies. 
Occasionally officials ascend and descend stairs. 

[Enter Persigny, Mocquard, and Morny. 
R. U. E., cross at rear and enter front of room 
through centre arch. While conversing they 
come down stage to C. F. Persigny looks 
around cautiously before speaking. 

[ 87 ] 


THE FLOWER OF DESTINY 


Persigny 

Paris is a nest of conspiracies, — yet His Excellency seems 
to think no more of them than if his enemies were a swarm of 
gnats. 


Mo c GUARD 

You gave him all the particulars of this latest one? 

Persigny 

I did. If this particular conspiracy did n’t seem so serious, 
our interview would have been ludicrous. 


Tell us about it. 


Morny 


Persigny 

“ Excellency,” said I, “ we have full details of a serious 
conspiracy which demands immediate attention.” “ Another 
one?” he asked, indifferently; “who are concerned this 
time? ” “ The Orleanists and the Legitimists,” I answered, 

“ headed by General Changarnier. The Committee of Per¬ 
manence accuses you of exceeding your powers, and usurping 
sovereign authority.” “ They may be right,” he replied 
coolly, “ but what are they going to do about it ? ” “ Arrest 

you,” I answered, “ and put Changarnier in your place until 
the Assembly approves.” 


Morny 

That made him spit fire, I warrant you! 

Persigny 

No. He shrugged his shoulders, and replied, “ Chan- 
gamier is — de trop .” (Absorbed in thought.) He is a 
wonderful man. Underneath his impenetrable calm is con¬ 
cealed a hidden fire which will never be understood save by a 
few. 


[ 88 ] 


TABLEAU FOUR 


Morny 

(Thoughtfully .) It is true. 


Mocquard 

I have some other information which is of interest. 


What is it? 


Morny 


Mocquard 

(Looks furtively around .) By the President’s orders, as 
you know, government agents are at everyone’s elbow. One 
of these brought me word that General Changamier and 
General Lamoriciere, who are here to-night, held an informal 
council of war. 


Morny 

In the camp of the enemy! 


[Mocquard assents. 

{Prolonged whistle .) The conspirators are growing bold! 


Persigny 

Did you get any report of their conversation? 


Mocquard 

In full. Changarnier is generous enough to attribute the 
Imperial setting of to-night’s function to insanity. Prince 
Louis Napoleon’s meteoric rise from deputy to president, the 
General says, has turned his head. The order for the Presi¬ 
dent’s arrest has actually been made out, and simply lacks 
Dupin’s signature as President of the Assembly. 

Persigny 

Any suggestion as to when it will be carried out? 

[ 89 ] 


THE FLOWER OF DESTINY 


Mocquard 

Yes. The coup d’etat is scheduled for December fourth. 

Persigny 

( Thinking. Speaks slowly and with emphasis.) Day 
after to-morrow. — ( Quickly and decidedly.) We should get 
this news to the President at once. ( Starts to leave.) 


Mocquabd 

It has been in his hands this last hour. 

\Persigny stops. 

Mount 

And he accepted this information as calmly as the other? 


Mocquabd 

Quite. He simply asked me what date it was. 

[All show indulgent amusement. Palace 
official comes down stairs, enters through centre 
rear arch, hands note to Persigny, and exits 
same. Persigny opens note, and glances it 
over. 


Persigny 

An order from the President, gentlemen. He will meet 
us here immediately. 

Mobny 

Perhaps this last news has interested him after all. — By 
the way, have they discovered who it is that is keeping the 
Assembly so well informed? 

Mocquabd 

I should have told you. — It is Camerata. — In a moment 
of amorous forgetfulness, the Count confided in Madame 

[ 90 ] 


TABLEAU FOUR 


Liadierce, — not being aware of her official connection with 
the government. 


Persigny 

{Reflectively.) The President’s relatives are his worst 
enemies. Camerata is bent upon his downfall because of an 
old time rivalry; and Prince Napoleon and Princess Clo- 
tilde are equally dangerous because of their jealousy and 
indiscretion. 

[Louis Napoleon enters arch R. 3 E., 
crosses to group of advisors. All of company 
do not notice his entrance. 

Louis Napoleon 

Good-evening, gentlemen. I am glad to find you all 
together. 

[All greet him. 

Persigny 

We have been exchanging the latest bits of gossip, 
Excellency. 

Louis Napoleon 

{With dignity and strength.) Very good; but now we 
have little time for gossip. There is work ahead of us to¬ 
night upon the result of which depends the integrity of 
France. {Turning to Mocquard.) Mocquard, an hour ago 
I asked you the date, and you seemed quite mystified. I 
wonder if these other gentlemen see any significance in my 
question. 


Morny 

{Reflectively.) December second— {Pause.) The anni¬ 
versary of the battle of Austerlitz! 


Persigny 

And of the coronation of Napoleon ! 

[ 91 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

Exactly. The coincidence has impressed me as it has you. 
— (Speaks rapidly. Turns to Mocquard .) The Minister 
of Police is prepared to act, Mocquard? 

[*Supes dressed as generals enter L. U. E., 
cross to rear centre and form group at foot of 
staircase. Conversation between Louis Napo¬ 
leon, Mocquard, and Moray to be very rapid. 

Mocquard 

Promptly, upon the receipt of orders. 

Louis Napoleon 

And your list of the conspirators, Moray. — Refresh my 
memory. 

Morny 

{Emphasizes.) Seventy-eight in all, Excellency, — eigh¬ 
teen leaders in the Assembly, and the others are generals, 
orators, leaders of secret societies, commanders of barricades 
and hostile editors. 


Louis Napoleon 

{To Persigny.) General Changarnier is here now. {Looks 
towards group of generals standing at foot of stairs. Speaks 
firmly.) He is to be arrested to-night as he leaves this recep¬ 
tion. {Takes package of papers from pocket.) Here are 
your orders. Disperse quietly and separately. You will find 
full instructions {taps package of papers, and hands it to 
Persigny) here. 

[The three men quietly and separately 
exeunt through rear arches. As Louis Napo¬ 
leon turns, he meets Prince Napoleon, Princess 
Clotilde, and Camerata, who have entered from 
arch, R. 3 E. 

[ 92 1 


TABLEAU FOUR 


( With slight sarcasm.) Ah ! Princess Clotilde, and Prince 
Napoleon, — and even Count Camerata! Good evening, 
cousins! I trust you are enjoying yourselves. 

[All acknowledge President's greeting. 
Camerata follows departing advisors with 
amused look. 

Princess Clotilde 

It is superb, your Excellency. Prince Napoleon was but 
just saying how truly regal your soirees had become. 

Prince Napoleon 

{Politely veiled sarcasm .) Clotilde understates the extrav¬ 
agance of my admiration, Excellency. — {Pointedly.) We 
even dared to wonder at all this Imperial splendor. 

Louis Napoleon 

{Reprovingly.) You, who are members of my family? 
should wonder least of all. {With emphasis.) I may say to 
you that I fully realize that I owe my present position to the 
glory of a Name. I know that the Name is deeply enshrined 
in the hearts of the people as a souvenir of former grandeur, 
— and I intend to keep it surrounded by a lustre which shall 
reflect glory upon its present owner. — {Meaningly.) I may 
further remind you that this realization on my part has 
already raised certain members of my family from obscurity 
to their present rather comfortable positions. 

Camerata 

{Sarcastically.) But do the people appreciate what this 
reminiscent magnificence of the First Empire means? 

Louis Napoleon 

Perhaps not; — but I do, which is more to the point. — 
I — need not say more now. I must leave you, cousins. 

[Louis Napoleon exits right rear arch. 
Supes as generals see him coming and sepa- 

r 931 


THE FLOWER OF DESTINY 


rate. He stops one and converses. Dumb 
show, then both exit R. U. E. Shortly after 
supe re-enters R. U. E. and rejoins group. 

Camerata 

( Mockingly .) “ Upon what food has this our Caesar fed 

that he hath grown so great? ” 

Prince Napoleon 

( Jealously.) One would think that he was already Napo¬ 
leon III. to see him ( struts around ) strut around, and talk 
of the “ glory of a Name.” 

Princess Clotilde 

( Spitefully .) As if the Name was any more glorious with 
him than with us! We bear it equally. 

Camerata 

His Excellency had best be careful. There are those who 
do not take kindly to “souvenirs of former grandeur,” — 
General Changarnier, for instance, General Lamoriciere, — 
and the Assembly itself. In fact their objections are quite 
apt to take definite form before long, and— ( Shores by ges¬ 
ture that everything is blown away.) 

Prince Napoleon 

Is a coup d’etat really near at hand? 

Princess Clotilde 

(To Camerata.) How do you happen to know so much? 

Camerata 

I— (Starts to speak but suddenly checks himself.) Oh! 
Of course, — I know nothing, — except rumors. {Pause.) 

[Starts to exit, rear, when he sees Eugenie 
and Countess de Monti jo approaching with 
Louis Napoleon. Stops suddenly. 

[ 94 1 


TABLEAU FOUR 


Ah, ha! The Montijos have arrived, and have already 
captured our — royal cousin. 

Princess Clotilde 

The Monti j os? Who are they? 

Camerata 

You will know soon enough. 

[Louis Napoleon re-enters rear from among 
guests, chatting with Countess de Monti jo and 
Eugenie. Comes down stage to C. F. Prin¬ 
cess Clotilde, Prince Napoleon, and Camerata 
observe group sarcastically, then cross to L. 
Eugenie is attracted by Camerata’s gaze, 
looks at him, but turns head away haughtily. 
Camerata angrily exits rear. Princess Clotilde 
and Prince Napoleon see incident, are amazed, 
and exeunt slowly rear. 

Louis Napoleon 

Again let me say, Welcome to the Countess and Mademoi¬ 
selle de Monti jo. 


Countess de Montijo 

Ah! Prince, it is indeed a pleasure to see you and to con¬ 
gratulate you upon your wonderful success. 

Louis Napoleon 

(Raises the Countess’ hand to his lips.) It is a pleasure to 
me, Countess, to be able to welcome you to Paris. 

Eugenie 

We were strikingly reminded of French politics only this 
afternoon. We looked from our window at the Colonne Ven- 
dome, and noticed with interest the changes in the figure since 
we were last in Paris. The shaft has seen almost as many 
vicissitudes as yourself, Prince. Has it not? 

[ 95 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

Yes, mademoiselle, the column reflects the modem political 
history of France. When you last saw it, it supported a 
monster fleur-de-lis surmounted by a white flag, which the 
Royalists placed there when the original statue was destroyed. 
We owe the present one of Napoleon to the demand of the 
people that these cherished relics of French victories over 
Russia and Austria be more appropriately topped. 

Countess de Montijo 

(Smiles meaningly.) I presume we shall see still another 
change before long, Prince. 

Louis Napoleon 

(Smiles.) Wait! 

(Lady Blessington, Douglass, Eglinton, 
Evelyn, and Burleigh enter from rear. Lady 
Blessington is talking with Douglass. 

Lady Blessington 

Happy, Douglass? I should say I was, — and as proud 
as if he were my own son! 

(Louis Napoleon, Countess de Montijo, and 
Eugenie turn at sound of Lady Blessvngton’s 
voice. Louis Napoleon steps toward them 
cordially. 


Countess de Montijo 


Ah! here come some friends indeed! 

(All greet each other. 


Louis Napoleon 


0 


At last, dear madame, you have yielded to my importuni¬ 
ties. (Kisses Lady Blessington’s hand.) I am overjoyed to 
welcome you as my guest under happier circumstances. 

[ 96 ] 


TABLEAU FOUR 


Lady Blessington 

I long for words to express my happiness, Prince. Would 
that your mother, my dear Hortense, might have lived to see 
this day! 

[Louis Napoleon bows. 

Louis Napoleon 

(To Douglass.) Welcome to my English cousin. (Shakes 
hands.) I was sure that I could count on you for to-night. 

Douglass 

We needed no second invitation. 

Louis Napoleon 

And Eglinton, and Burleigh, and Evelyn. (Shakes hands 
with each as name is spoken.) We might almost imagine our¬ 
selves back at Crockford’s in London, eh? 

Eglinton 

This is a vast improvement over Crockford’s, Prince. 

Burleigh 

(Looking around.) Yes, indeed. We are quite content. 

Evelyn 

We might have a game here, Prince, after the guests are 
gone! 

Louis Napoleon 

Agreed! (Significantly.) I promise you a game after the 
others go, which shall be the most exciting one we’ve ever 
played together! — But where is D’Orsay? 

Eglinton 

I thought he was with us. He must have stayed behind 
with your cousin, Princess Mathilde. 

[ 97 ] 


THE FLOWER OF DESTINY 


Lady Blessington 

She has been so sweet to us this evening. Prince, you are 
fortunate to have so attractive a head to your household. 

[Enter D’Orsay and Princess Mathilde 
from rear. Join Louis Napoleon and friends 
at L. 


Louis Napoleon 

Ah! D’Orsay. Here you are at last! — Mathilde, let 
me present the Countess de Montijo and Mademoiselle de 
Montijo, — other dear friends whom I knew in London. 
Ladies (to guests ), the Princess Mathilde, my cousin and the 
gracious head of my household. (Turns to IT Or say.) This 
seems like old London days, D’Orsay, when I was but an exile. 
Do you remain long in Paris? 


D’OltSAY 

No, Prince, — do you? 

Louis Napoleon 


[All laugh. 


I?— (Laughs.) Ah, D’Orsay! Well hit! But the dream- 
ings seem a bit more real now, do they not? (Turns to 
Douglass.) Even to the incredulous Douglass. 


Douglass 

I am dumb with admiration, cousin. 

[Princess Mathilde takes Lady Blessington, 
Countess de Montijo, and Eugenie across to see 
picture hanging over panel entrance, B. £ E. 
Dumb show during following conversation. 


D’Orsay 

(Watches Eugenie, then turns to Louis Napoleon.) Prince, 
— do you still wear a certain silken case next your heart? 

Louis Napoleon 

That little episode was over, — long ago. 

[ 98 ] 


TABLEAU FOUR 


Eglinton 

(Looking over to Eugenie.) Gad! but she ’s more radiant 
than ever! 

Douglass 

She evidently regrets now that she tossed you over with 
the rest of us at Baden. 

Louis Napoleon 
What do you mean? 


Douglass 

Well, — she’s followed you to Paris, hasn’t she? 

Louis Napoleon 

She is in Paris, — but why should you think she has fol¬ 
lowed me? 

Douglass 

Why should any attractive young lady follow any dis¬ 
tinguished gentleman, who has been somewhat attentive? 

Burleigh 

Egad! I wish she’d followed me! 

Evelyn 

Surely she realizes that you’ve gone beyond her reach now. 

Louis Napoleon 

Come, we ’re gossiping like school-boys. For me, there 
are sterner things to think of. ( Speaks lightly with effort.) 
Tell me of London. It seems ages since I was there! 

[Men converse in low tone. Dumb show. 

Princess Mathilde 

(Looking up at picture.) I am so glad that you admire 
it. The first thing my cousin did, after he became President, 

[ 99 ] 


THE FLOWER OF DESTINY 


was to order it painted. I have always wondered what sug¬ 
gested the subject to him. 

Countess de Montijo 

What does he call it? 

Princess Mathilde 

“ The Birth of the Violet.” It seems there is a story 
about the nymph Io, whom Jupiter loved, who was turned 
into a heifer by the jealousy of Juno. 

Lady Blessington 

I see. — And Jupiter is creating the violet so that his 
abused favorite may feed upon it. 

Countess de Montijo 

How very charming. ( To Eugenie.) Have you ever 
heard the story, my dear? 

Eugenie 

{Slightly confused.) I read it long ago, Mamma. 

Lady Blessington 

I’m going to ask the Prince what suggested the idea to 
him. ( Starts toward men.) 

Eugenie 

{Quickly. Detaining her.) Oh! — please don’t! 

Lady Blessington 

{Surprised.) Don’t? {Looks knowingly at Eugenie and 
the violets she wears, and smiles.) Very well, my dear, I 
won’t. — But I have another question to ask him, which I 
know you won’t mind. 

[Lady Blessington crosses to L. to men. 

[ 100 ] 


TABLEAU FOUR 


D’Orsay 

(Jestingly.) I knew you couldn’t stay away from us 
long! 

Lady Blessington 

D'Orsay, I wish to have a word with the Prince. Will you 
gentlemen not show your gallantry to the ladies, and let us 
join you in a moment? 


Willingly. 


All 

[D’Orsay, Douglass, Eglmton, Evelyn, and 
Burleigh cross to R. to ladies. Dumb show. 


Lady Blessington 

Prince, I know that you are wishing for a word alone with 
Eugenie. Is she not beautiful? She ’ll not refuse you now! 


Louis Napoleon 

I have no thought now, my dear Lady Blessington, for 
aught save France. 


Lady Blessington 

Then you shall tell her about France. I insist. Come! 

Louis Napoleon 

(Smiling.) As you will. 

[Lady Blessington and Louis Napoleon 
cross to group at R. 

Lady Blessington 

(To Princess Mathilde.) His Excellency has granted his 
august permission, Princess Mathilde. He says we may see 
the souvenirs of the First Empire of which you spoke. Will 
you show them to us now? (Deliberately tries to show others 
out.) 


[ 101 ] 


THE FLOWER OF DESTINY 


Princess Mathilde 
With pleasure. Will you all come? 

D’Orsay 

Let me speak for the English embassy. We will. 

Countess de Montijo 
It will be a rare privilege. 

Louis Napoleon 

As Mademoiselle de Montijo will be residing in Paris now, 
and can see them at any time, perhaps she will keep me com¬ 
pany until your return. 

[Eugenie acknowledges invitation with smile. 
Douglass 

(Laughingly .) Are you going to show her souvenirs of 
the Second Empire, cousin? 

Eglinton 

(Chidingly .) You are speaking prematurely, Douglass. 

Lady Blessington 

Come, gentlemen. ( Good-naturedly urging them to leave.) 
The Princess waits! 

[Exeunt Princess Mathilde, Lady Blessing- 
ton, Countess de Montijo, D’Orsay, Douglass, 
Eglinton, Evelyn, and Burleigh, laughing and 
talking through arches at rear. Louis Na¬ 
poleon and Eugenie are silent for a moment. 

Louis Napoleon 

(Personal.) Well, Mademoiselle. We meet again. 

[ 102 ] 


TABLEAU FOUR 


Eugenie 

(Slozvly .) You have been offended with me, Prince. You 
think it a part of the old time forwardness that I should 
have sent you word of my presence in Paris so soon after 
your triumph. 


Louis Napoleon 

Offended? No. I should hardly have expected you to do 
otherwise. 

V moment's embarrassed silence. 

Eugenie 

{Hesitatingly.) I have missed you, Prince, during this 
long interval which has passed since that last sudden fare¬ 
well, but you have been so engrossed in exciting affairs that 
I fear you have almost forgotten my existence. 

Louis Napoleon 

{Seriously.) On the contrary, Mademoiselle, I have never 
forgotten those days at Baden, when your confidence, while 
all others scoffed, gave me the strength I so sorely needed. 

Eugenie 

{With womanly sweetness. Feels her way.) The confi¬ 
dence was well placed, was it not, Prince? We knew — you 
and I — that the potency of our flower of destiny was suffi¬ 
cient to bring about a realization of— {appealingly) may I 
not still say?— {shyly) our hopes. 

\Napoleon does not assent. Eugenie notices 
but hastens on. 

We knew that the long patience would be rewarded, and 
that France would at last be time to her best self. 

Louis Napoleon 

{Reproachfully.) You have sent me no message — no 
word of congratulation all this time. 

[ 103 ] 


THE FLOWER OF DESTINY 


Eugenie 

Can you not guess why? 

Louis Napoleon 

I have tried to explain it to myself, — many times. 

Eugenie 

I thought I was strong enough to live up to the decision I 
had made, but I found myself hopelessly weak. It has taken 
all this time for me to become sure of myself, — so that I 
might be near you, without being a menace to your fortunes. 

Louis Napoleon 

(Slightly suspicious.) You have never regretted that 
decision ? 

Eugenie 

( Earnestly .) Never. When I look back upon the wil¬ 
fulness, the recklessness of my life at Madrid and during 
the year in London, I cannot understand why you did not 
despise me as I despised myself. I cared so little for what 
the world said or thought, that my selfishness must often 
have wounded as well as shocked. My vanity made me in¬ 
different to all proprieties, and I was a silly, wicked coquette. 

Louis Napoleon 

( Gallantly .) You are severe, mademoiselle, and you speak 
of a lady whom I admire. 


Eugenie 

(Smiling slightly.) No more severe than the lady deserves, 
Excellency. (Returns to serious mood.) I confessed all 
this to you that day at Baden, — when the realization of it 
first came to me. An experience such as that is enough to 
change a heedless girl into a woman, and I hope that the 
old-time irresponsibility is dead, never to be resurrected. 

[ 104 ] 


TABLEAU FOUR 


Louis Napoleon 

( Surprised. Begins to feel her sincerity.) I had con¬ 
sidered this lady of whom we speak as absolute perfection, 
but the quiet dignity which has replaced what she calls her 
restless, adventurous spirit has not destroyed that vivacity 
which was so becoming to her. It has rather added the final 
charm to her many attractive attributes. ( Drawing nearer. 
Personal.) But you are near to me now, and you will stay 
here, will you not? 


Eugenie 

Yes, Prince; we are together here, as you say, — yet 
farther apart than ever before in all our lives. 

Louis Napoleon 

Farther apart? I do not understand. ( Two insinuations.) 

Eugenie 

Surely you understand. — Until now there has been a 
possibility that France would not offer you what you ex¬ 
pected from her, in which case ( hesitates) I might have 
hoped that you would come back to me for a final answer 
to your generous offer. — Now that you have been elected 
President, that possibility is removed. 

[Louis Napoleon attempts to interrupt, but 
she checks him. 

But believe me, I rejoice that it is so. {Strongly.) My 
pride shall be to me what my love might have been, and in 
your success — I shall gain the happiness which otherwise 
might have come to me in another way. 

Louis Napoleon 

{Hesitates. Convinced. Gazes at Eugenie devotedly.) 
Do you think that I shall let you bear all the sacrifice, — 
Eugenie? {Firmly.) I realize now it was wise to have 
waited, — your judgment was better than mine; but now 

[ 105 ] 


THE FLOWER OF DESTINY 


that I am President of the French Republic I am my own 
master, and free to choose where I like. 

Eugenie 

(With measured emphasis.) Ah! Prince, is your ambition 
satisfied? Are you content to stop here? Is it enough to 
have been what you are to-day and then to see the power 
pass into another’s hand, while you sink back into oblivion? 
( Pauses, then speaks decidedly.) No! I believe I know you 
better than you know yourself! You will use this new power 
which Fate has given you to raise France to the proud posi¬ 
tion she held under Napoleon I. You will turn this tide of 
enthusiasm over an impossible idea of a country ruled by 
the people, to that of the old-time pride and gratification 
the masses felt in looking up to a single ruler. And you 
will be that ruler ( with great emphasis), Louis; you will be 
their Emperor! 


Louis Napoleon 

{Quickly.) Then you shall be — 

[Round of musketry outside. Princess 
Mathilde rushes in from rear, interrupting 
him. She is quickly followed, different en¬ 
trances, by Lady Blessington, Countess de 
Montijo, D'Or say, Douglass, Eglinton, Bur¬ 
leigh, and Evelyn. Women frightened, men 
undisturbed but interested and curious. They 
look out of window. Second volley of musketry. 


Princess Mathilde 


(Interrupts Napoleon excitedly.) Louis, what does that 
firing mean? 

Louis Napoleon 

{Calmly.) Perhaps some fugitive, escaped from justice. 

[Flare of light. 


[ 106 ] 


TABLEAU FOUR 


Princess Mathilde 

It is more than that. I heard other shots earlier, and the 
guests are all terribly excited! 

Louis Napoleon 

{Reassuringly.) I beg of you not to be alarmed. 

Burleigh 

I heard them talking about a coup d’etat. What do they 
mean, Prince? 

[Uproar outside. 

Louis Napoleon 

The administration has been threatened with one for over 
a year. ( Decidedly .) It is nothing! 

Princess Mathilde 

The National Assembly has been going to depose the Presi¬ 
dent and set up a Dictator in his place for so long that we 
have paid little heed to it. 

[More noise outside, shouts and musketry. 

(She is startled.) But this seems more serious. 

[Guests move about uneasily. 

Louis Napoleon 

Friends, do not be disturbed! It is some disorder in the 
street that will soon be quelled. 

Eglinton 

{To Louis Napoleon.) I heard one of the ladies ask your 
friend Morny in case there was a sweeping out, on which 
side he would be. 

Louis Napoleon 

{Interested.) And his answer? 

[ 107 ] 


THE FLOWER OF DESTINY 


Eglinton 

On the handle side, Madame! 

Louis Napoleon 

{Amused.) Good. (Calmly.) And shall we have less 
faith than Morny? 

[Bomb bursts outside. Consternation among 
guests, who hasten to depart. 

Louis Napoleon 

I must say good-night to my guests, — such as remain. 
(Apparently indifferent, but betraying anxiety.) 

[Louis Napoleon starts to exit rear but is 
detained by Princess Matliilde. As he turns 
to her, Camerata, looking pleased, followed 
by Prince Napoleon, who is nervous, and 
Princess Clotilde, who is frightened, enter 
through arch R. 3 E. Princess Clotilde goes 
to Princess Mathilde. 

Princess Mathilde 

(Alarmed, almost hysterical.) Louis — Louis, what is 
happening outside? 

[Louis Napoleon pulls cord in corner near 
L. J/. E. and draws together draperies behind 
arches. More shouts. 

Louis Napoleon 

It is getting a bit noisy. (Reassuringly to Mathilde.) 

[Great uproar outside, screams. 

Be calm, my dear. We shall soon know more. 

Camerata 

(Exultantly apart.) Yes, you will know all too soon! 

[ 108 ] 


TABLEAU FOUR 


Princess Clotilde 

What do you mean, Camerata? How strangely you act! 
You seem overjoyed while we are all so anxious. 

[Camerata seems beside himself, shows signs 
of drinking, and does not heed her. Ap¬ 
proaches Eugenie and tries to speak to her. 


Lady Blessington 


[Anxiously.) Had we not better be starting for our hotel, 
Prince? 


[Louis Napoleon opens window L. £ E., 
and looks out. Tremendous uproar. 


Louis Napoleon 


(Closes window .) Wait here a few moments, my dear 
Lady Blessington, I beg of you. The streets will be quieter 
soon. 

Camerata 


(To Lady Blessington. Meaningly, aside.) The streets 
may be safer than the palace before long! 

[IVoistf outside. 

Eugenie 

(Joins Louis Napoleon at window. Speaks courageously 
and decidedly.) What does this mean, Louis? I can see 
beneath your calmness. (With emphasis.) There is some¬ 
thing, and you must tell me! 


Louis Napoleon 

(Watching her narrowly, speaks truthfully, slowly, and 
with emphasis.) It means — perhaps — my Waterloo! 


Eugenie 

(Steps back, aghast.) Oh, no! I’ll not believe that. 
(Points to painting R. £ E. Speaks with emphasis.) Re- 

[ 109 ] 


THE FLOWER OF DESTINY 


member the flower of destiny, — its potency will not fail you 
now! 

[Eugenie and Louis Napoleon cross to C. 
during conversation. Continuous shouts and 
rifle shots heard, then a bomb breaks and 
shatters window L. 2 E., and piece of bomb 
drops in room. General consternation. 

D’Orsay 

(Forced vivacity.) It is good of you, Prince, to provide 
this entertainment for us, but damme, — aren’t you over¬ 
doing it a little? 

Douglass 

(Putting his hand on Louis Napoleon's shoulder .) Cousin, 
is this the coup d’etat? 

[All await Louis Napoleon's answer anxiously. 

Louis Napoleon 

(With decision.) It is the coup d’etat! 

[All start back aghast. 


Camerata 

(Exultantly.) I could have told you that a week ago. 

[All look at Camerata in surprise and disgust. 

Louis Napoleon 

(Sternly.) You could have done so, and did not? 

Camerata 

( Sneeringly.) Why should I? (Looks at Eugenie tri¬ 
umphantly.) 

Princess Mathilde 

(Incredulously.) You leagued yourself with the generals 
against your family? 

[Occasional shooting through following 
lines. 

[ 110 ] 


TABLEAU FOUR 


Camerata 

{Fiercely.) Against my arch enemy. — How about the 
“glory of a Name” now, my dear cousin? {Laughs 
hoarsely and mockingly. Turns towards Eugenie and speaks 
pointedly.) And Mademoiselle de Montijo, — who comes to 
Paris to be a second Madame de Pompadour. {Sneermgly.) 
Perhaps she will not now be so interested in a certain would- 
be Emperor! 

[All are shocked hy Camerata, who is ex¬ 
ultant. Countess de Montijo starts towards 
Eugenie, who holds up detainmg hand. Speaks 
to Camerata. 

Eugenie 

{Indignantly.) Coward to the last! 


Louis Napoleon 

{Starts towards Camerata.) You cur! 

[Eugenie crosses to Louis Napoleon. 

Eugenie 

{Proudly, with emphasis.) Prince, at Baden you offered 
me your hand, and I refused it. You know why. If this is 
the end, I now, at the hour of danger, before these friends, 
accept that offer. 


Louis Napoleon 

{Interrupting joyfully.) I shall ask you to remember 
that, mademoiselle. 


[Shooting outside. 


Eugenie 

{Not heeding interruption.) If affairs turn out differently, 
my refusal must still hold good! 

[All speechless with amazement. 

[ HI ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

(Almost overcome by emotion, kisses Eugenie's hand.) 

Mademoiselle, I thank you! 

[A flash of light at the window. 

{With great relief.) The signal! 

[Quickly takes candelabrum from side of 
mirror and gasses it from side to side and up 
and down before the window, then replaces it. 
All amazed, watch Louis Napoleon with awe. 
Suspended pause of excited silence. Then 
Camerata, looking into mirror, sees panel en¬ 
trance open, turns with fright. Others ex¬ 
pectant. Then — enter Persigny, Mocquard, 
and Morny. 

{Excitedly. Turning to Persigny.) Well? 


Persigny 

All is carried out as arranged, Excellency. The barri¬ 
cades have been successfully attacked. 


Morny 

The arrests have been made, and the prisoners are even 
now on their way to St. Mazas. 

[Camerata tries to escape through curtains 
at rear. Louis Napoleon pulls cord, disclosing 
guards on opposite side, two of whom seize 
Camerata and bring him cringing to Louis 
Napoleon. 


Louis Napoleon 

{Regarding Camerata thoughtfully.) As I said before, 
my dear cousin, we cannot soil the “ glory of a Name.” 
{Turns to Mocquard.) Mocquard, see him to the frontier! 

[ 112 ] 


TABLEAU FOUR 


[Exeunt Mocquard and Camerata between 
two guards. Louis Napoleon turns to Eugenie. 
A moment's pause. 

Mademoiselle, will you not announce to our friends that 
the Second Empire has begun! 

[Curtain] 


[ US ] 


























































. 





TABLEAU FIVE 


0>OMPIEGNE in 1853. Time: ^pril morning. Scene: 
Terraces and garden of royal palace. 

At left set house, practicable, showing fac^ade of palace, slant¬ 
ing style of Louis XV. A run of varying widths from 
about three feet in front to about four and a half feet 
at quarter distance and about six feet at centre, repre¬ 
senting stone terrace, extends across entire fafade. Sur¬ 
rounded by stone balustrade; posts at corner surmounted 
by statues, and on either side of opening for steps a 
large palm. Practicable doors top of run near L. 2 E. 
and L. 3 E. Over each a great “ N.” 

At centre, near centre of run, flight of steps descends, front 
and both sides from one platform, to boards, represent¬ 
ing earth terrace. 

On boards against palace set pieces (or real if possible) of 
orange and palm trees in tubs. Near L. F., against 
palace, an ornamental bench between two tubs of trees. 

At right, front, mass of low shrubs and early flowers prom¬ 
inent. Edge of green, about one foot wide, slopes to 
boards, extends back about three feet, then across to 
about R. 2 E. At R. C., about six feet back from front 
edge, another one starts and crosses to R. 3 G., forming 
road leading from earth terrace below steps through park 
to forest beyond. Back of rear, border for road a bit 
of beautiful but artificial garden, showing taller shrubs, 
and opening to “ berceau ” facing front. At rear, it 
turns and crosses to R. 4 G. 

At L. of garden, starting at C., and extending to rear, a 
stone balustrade coping, surmounted at C. by statue. 
At R. of statue, an opening, through border of garden, 
leads to “ berceau.” At R. 2 and 3 E., road opening. 

At extreme rear, extending across stage, tall stone wall with 
large ornamental gateway at C. of wall. Rear sky 
drop. Beyond, end of palace L. U. E. left open if 
grooms and dogs are used. 

[ 115 ] 


THE FLOWER OF DESTINY 


Servants and palace officials enter and exit when needed during 
tableau; and (if desired) toward end of tableau grooms 
move about, then pack of hounds enter with grooms L. 
U. E., and exit R. 2 E. Master of hounds and men in 
hunt costume move to and fro on terrace and at rear. 

At rise D’Orsay, Douglass, Eglinton, Evelyn, and Burleigh 
are discovered strolling about, chatting and admiring 
scene. They come down front, then D’Orsay looks up 
and around expectantly. 


Douglass 

(To D’Orsay.) What are you looking around like that 
for, D’Orsay? 

D’Orsay 

(Nonchalantly.) Expectation. 

Eglinton 

Of what? 

D’Orsay 

Oh! I don’t know. What’s the next most exciting thing 
to a successful coup d’etat? 

Douglass 

( Chaffingly, tapping head significantly.) Poor old chap. 
Gone daffy, — just when he might have had some fun! 


Burleigh 

(More interested.) I’d like jolly well to know what 
D’Orsay’s driving at. 


D’Orsay 

{Half impatiently.) Ignoramuses all! I appeal to 
Evelyn. Is there one man left with brains enough to con¬ 
verse with me? 


[ ] 


TABLEAU FIVE 


Evelyn 

{Laughing.) Try me. 


D’Orsay 

Will the Honorable Mr. Evelyn kindly bethink himself, and 
advise me what is the next highest degree to an Emperor? 


Evelyn 

(Excitedly .) Eureka! I have it! You’re wondering 
what form of excitement the Prince will provide for us this 
time. 


D’Orsay 

{With satisfaction.) “A Daniel come to judgment”! 
Evelyn, you are a man of intellect. For the benefit of the 
others, let me refresh their memories. {Gaily, hut with 
emphasis.) We sit down for a quiet little guinea a point at 
the Countess de Montijo’s, and — zip — Louis Napoleon, 
the prisoner at Ham, comes to life again! We settle down 
for an orthodox cure at Baden, and Louis Napoleon, the 
exile, becomes a member of the Assembly. We rub our eyes, 
and egad! he’s President of France. His Excellency, the 
President, invites us to a little social function, has a few 
guns fired off, explodes a few bombs, arrests a few generals, 
— and presto! the President becomes Napoleon III, Em¬ 
peror of the French! — Here we are his guests again, this 
time at Compiegne. Now, I ask {dramatic pause), what 
next? 

[All laugh hut D'Orsay. 


Eglinton 

{Becoming serious.) I don’t wonder that you ask. I find 
myself as if in a dream. 


Douglass 

Perhaps we have been the dreamers, after all. 

[ 117 ] 


THE FLOWER OF DESTINY 


Burleigh 

He has absolutely nothing left for which to strive. 

D’Orsay 

(Interrupting .) Except — hum, hum! 

Burleigh 

An empress ? 

D’Orsay 

Yes, — an empress. 

Douglass 

Egad! Mademoiselle de Monti jo was splendid that night 
of the coup d’etat! 


Eglinton 

They say the Prince was completely carried off his feet. 
Wanted to marry her at once. 

Burleigh 

And she would n’t agree to it ? 

Eglinton 

Not for a minute. 


D’Orsay 

Hum, hum! — Silly girl! — That was the time to do it. 
There are obstacles enough, but he’s hard hit still, or I’m a 
loser. 

[Enter Louis Napoleon, door L. 3 E., top 
of run, unseen. Walks towards front of 
terrace. 


Douglass 


Perhaps, but he has his “ destiny ” 
forget that. 


[ H8 ] 


to consider, — don’t 


TABLEAU FIVE 


[Louis Napoleon hears Douglass , and looks 
over balustrade at quarter distance. 


Louis Napoleon 

“ Destiny ”?— Who spoke of destiny? 

Douglass 


[All turn. 


I, cousin, still admitting my error in doubting its efficacy. 

[Louis Napoleon comes dozen stairs and 
joins group. 


Louis Napoleon 

{Lightly.) You were the chief of scoffers, Douglass, but 
I forgave you long ago. 


Eglinton 

I had just remarked that you had nothing left to strive for. 

Louis Napoleon 

{Gravely.) I wish you were right, Eglinton, but there is 
still much left to be gained. 

D’Orsay 

Without prying into State secrets, — what, for instance? 
{Curiously.) To our simple tastes, all seems complete. 

Louis Napoleon 

I have placed myself by force of will upon the throne of 
France, but it yet remains for me to establish the dynasty. 

D’Orsay 

{Chafjingly.) That should not be difficult for a gentleman 
of your attractive appearance, and, if I may say so, of very 
excellent position and prospects! 

[ 119 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

(Walking up and down.) It is more of a problem than 
you imagine, D’Orsay. ( With annoyance.) Even an em¬ 
peror, apparently, is not his own master when it comes to 
the selection of his consort. 

[Prince Napoleon and Princess Clotilde 
enter from “ berceau .” Louis Napoleon sees 
them approaching. 

My cousins here, are more fortunate. They have been in 
love with each other since childhood and are free to marry 
when they will. You know' as matters now stand he is heir 
to the throne. I wish to present you to them. 

\Prince Napoleon and Princess Clotilde 
join group. Louis Napoleon makes introduc¬ 
tions, which they all acknowledge formally. 

Cousins, these are my English friends of whom I speak 
so often. {Turns to men.) Friends, the Princess Clotilde 
and Prince Napoleon. — Or did you meet them the night of 
the coup d’etat. {Laughs.) The night Evelyn wished for 
a game and I promised him a startling one. 

D’Orsay 

Well! you kept your promise. 

Louis Napoleon 

Now let me start you around the grounds. 

[Louis Napoleon and friends go up stage 
in conversation, and later cross to R. 2 and 
3 E. 

Compiegne, you know, is rich in history and interest. 
Here Joan of Arc was captured, and here Napoleon I. met 
Marie Therese, on the occasion of their marriage. Come. 
{Aside, to men.) While you are sight-seeing, I will return 
to the palace and have a word with Mathilde, who asks an 
interview. 

[Louis Napoleon and Englishmen exeunt 
slowly, R. 2 E. 

[ 120 ] 


TABLEAU FIVE 


Prince Napoleon 

( Sarcastically, watches the departing figures.) He still 
has these English dependants hanging to his coat-tails. 

Princess Clotilde 

{Sincerely.) Hardly dependants, cousin. They were his 
salvation when he was in London, in trouble and disgrace. 

[Prince Napoleon and Princess Clotilde 
stand near clump of shrubs, N. F. near C. 

Prince Napoleon 

I should think he would be glad enough to forget those 
days. If I were he, I should be afraid of waking up from 
this splendid dream, to find the old experiences realities after 
all. 

Princess Clotilde 

(Not heeding.) What a perfect day for the hunt. 

\Louis Napoleon re-enters from “ berceau ” 
and walks rapidly up steps starting for door, 
L. 3 E., top of run, but overhearing Prince 
Napoleon's words turns suddenly and comes to 
front on terrace, stands directly above and 
listens. Dumb show. 

Prince Napoleon 

{Ill-humoredly.) Is to-day’s fete in honor of the Court, 
or is it to gratify the whim of Mademoiselle de Montijo? 

\Prince Napoleon and Princess Clotilde 
cross front slowly to bench L. F. 

Princess Clotilde 

You seem to be annoyed by the Emperor’s devotion, cousin. 

Prince Napoleon 

{Personal.) I do not undertake to criticize his devotion, 
— he mav seek his pleasures where he likes; but to force 

[ 1M ] 


THE FLOWER OF DESTINY 


this adventuress upon us, and to give her such precedence, 
is an insult to the Court and to us. 

[Princess Clotilde sits on bench. Prince 
Napoleon stands at R. of bench showing irri¬ 
tation in manner and speech. Louis Napoleon 
stands directly above. Enter Mathilde, door 
L. 2 E., top of run, starts to speak, but Louis 
Napoleon stops her by gesture. She joins 
him and they listen to conversation below. He 
shows anger but controls himself. She is dis¬ 
turbed blit restrains him. Dumb show. 

Princess Clotilde 

(Teasingly .) But she is beautiful, — n’est-ce-pas? 

Prince Napoleon 

So was Madame du Barry, so was the Countess Walewski, 
but neither Louis XV. nor Napoleon attempted to disguise 
their real positions. The Emperor would have us believe this 
Spanish goddess the embodiment of virtue, and a pattern to 
us all! 

Princess Clotilde 

But her path is not all strewn with roses, my dear cousin. 
She is being taught her place, and will soon prefer to keep 
it. At the ball at the Tuileries last week, when she and 
Colonel de Toulongeon took their positions in the grand 
march, Madame Fartoul said, loud enough for her to over¬ 
hear, “The new Court is reversing the usual rules of etiquette, 
it seems. Spanish Countesses and other nameless personages 
now outrank even those who were born grandes dames.” 
Mademoiselle flushed, but she held her precedence. 

Prince Napoleon 

She has audacity enough to carry her through, — but 
for how long are we to be forced to endure her? The situa¬ 
tion is unbearable. 

[Louis Napoleon starts to go dawn. Ma¬ 
thilde restrains him. During following speech 
he almost forgets his anger in his pride. 

[ 122 ] 


TABLEAU FIVE 


Princess Clotilde 

The Emperor has certainly succeeded in giving his Court 
a gorgeous setting. He has had his throne less than six 
months, yet his entertainments outshine even those of the 
great Napoleon at the height of his power. 

[Prince Napoleon sits on bench. 

Prince Napoleon 

It all seems like the story of Aladdin’s lamp. The ball at 
the Tuileries the other night, of which you spoke just now, 
was enough to make one doubt his senses. Such splendor, such 
magnificence! The grand staircase decorated with garlands 
of flowers on either side; one of the “ Cent Gardes ” standing 
on every step; crowds of invited guests waiting in the gal¬ 
leries for the Salle des Marechaux to be thrown open; the 
chamberlains in scarlet coats and gold embroidery, the equer¬ 
ries in green and gold, the huntsmen in silver and green, and 
the Prefects of the Palace in crimson and gold. Then the 
Masters of the Ceremonies in violet, and other officials in pale 
blue and silver, the brilliant uniforms of the army, and the 
extravagant dresses of the ladies, — Mon Dieu! it was 
enough to intoxicate one’s reason, was it not? 

Princess Clotilde 

(Teasingly and with emphasis.) And the most beautiful 
sight of all was Mademoiselle de Montijo! 

[Louis Napoleon suddenly returns to present. 

Prince Napoleon 

Peste! yes; and she is but a sample of its unreality, — 
new names, new meeting-places; celebrities and favorites 
springing up like mushrooms, — and as like to wither as the 
sun goes down. 

Princess Clotilde 

But this favorite seems firmly fixed in the Emperor’s good 
graces. He has no eyes for the ladies of his own Court. 

[ 123 ] 


THE FLOWER OF DESTINY 


Her incomparable ladyship of Spain holds a complete mon¬ 
opoly of his affections. 

Prince Napoleon 

I wish I knew how far their intimacy had advanced. Has 
she been crowned yet as the queen of the left hand? Which 
ever fortunate lady of the Court is honored by the Emperor’s 
offer of marriage, since no foreign princess will have him, 
must be prepared to share her liege lord’s affections. 

[Louis Napoleon enraged beyond control, 
goes rapidly up stage, followed by Mathilde. 

Princess Clotilde 

(Rises with mock reproach.) Very shocking, cousin! I 
must not stay and listen. Mamma would be very angry! 
(Laughs teasingly and runs up stage to steps.) 

[As Princess Clotilde ascends steps, she 
meets Louis Napoleon descending angrily and 
rapidly. She checks laugh suddenly, ascends 
to terrace, meets Mathilde who admonishes by 
gesture, then descends steps. Clotilde awaits 
Prince Napoleon top of steps. 

Louis Napoleon 

{Facing Prince Napoleon angrily before speaking.) You 
viper! warmed again into life by the warmth of the lustre 
which surrounds my efforts, you would bite the hand which 
feeds you! 


Princess Mathilde 

{Beseechingly.) Forgive him, Louis. He is but a boy! 


Louis Napoleon 

{As if to himself. Coming down steps.) The imbecile! 
I ’ll teach him his manners! {Angrily to Prince Napoleon.) 
Out of my sight! 


[ 1^4 ] 


TABLEAU FIVE 


Princess Mathilde 

He but repeats what he hears others say. 

[Prince Napoleon goes sulkily up steps, 
joins Princess ClotUde. Dumb show at top, 
then both exit door, L. 3 E., top of run. 

Louis Napoleon 

(More moderately .) Then this is the kind of conversation 
in which my Court indulges? 

Princess Mathilde 

(Soothingly .) It is inevitable that this should be so until 
you end it once for all, as you may. ( Hesitates .) It is of 
this that I wish to speak. 

Louis Napoleon 

(Irritably .) You refer to the matter of my future mar¬ 
riage, I judge. 


Princess Mathilde 

(Decidedly .) Yes, Louis; it is absolutely necessary that 
you consider it at once. You have won the throne of France, 
but it will be lost to the family again unless you have .a direct 
heir to succeed you. {Pause.) Remember Josephine. 

Louis Napoleon 

{Dryly. Seats himself opposite her.) You think that 
this is a matter which concerns me in some way? 

Princess Mathilde 

Why, of course. Why do you speak thus? 

Louis Napoleon 

Let me see. During the last month you and Uncle Jerome 
have made overtures on my behalf to the royal houses of 

[ 125 ] 


THE FLOWER OF DESTINY 


(pause. Counts on fingers ) Russia, Spain, Portugal, 
Sweden, Germany, and England. ( Sarcastically .) I don’t 
think that I have omitted any. What success have you had? 

Princess Mathilde 

(Timidly, but hurriedly.) None, Louis; but the King of 
Poland will consider a matrimonial alliance if you yourself 
will make the proposal to the Princess Czartoryska. 

Louis Napoleon 

(Sarcastically.) I am indeed flattered! I had an idea 
that either you or Uncle Jerome would conclude the whole 
affair before consulting me. You really think I ought to 
be married? 

Princess Mathilde 

(With injury.) I do, Louis; but there is no reason why 
you should make it so uncomfortable for me. 

Louis Napoleon 

(Unbending.) Forgive me, cousin. I did not mean to 
hurt your feelings, but were it not possible for me to see 
the humorous side of the situation, I should be much chagrined 
over the refusal of practically every royal house to consider 
me other than an imposter, and the evidence that they look 
upon me as quite unworthy of serious attention. (Offhand.) 
As a matter of fact, however, while you and Uncle Jerome 
have been so busily engaged in finding a wife for me, I, too, 
have made efforts in the same direction, but, unfortunately, 
as yet with no better results. 

Princess Mathilde 

(With interest.) What do you mean, Louis? 

Louis Napoleon 

Simply this, — that I recognize the call of duty, of which 
you remind me, and I am glad to say that for once the call 
has an agreeable sound. 

[ 126 ] 


TABLEAU FIVE 


Princess Mathilde 
(Incredulously .) You are in love? 

Louis Napoleon 

(Enthusiastically .) In love? As if I were a boy of 
twenty, instead of a man of forty-four, in whom you would 
scarce expect it. This joy which thus far has been denied 
me is the one I now seek with the greatest energy. {Pause. 
Speaks dryly.) You are surprised that so insignificant a 
feeling as love can enter into an Emperor’s plans for 
marriage? 


Princess Mathilde 
{Imperatively .) Her name, Louis? 

Louis Napoleon 
I am not yet ready to announce it. 

Princess Mathilde 

{Injured.) You might at least confide in me. I am not 
so unmindful of your happiness as to oppose you if you will 
not have the Polish princess. Next to that, an alliance with 
some old French family, whose name is endeared to the 
people, will undoubtedly strengthen your position. 

[Persigny enters through gate at rear, ad¬ 
vances, hut draws hack. Louis Napoleon sees 
him. 


Persigny 

Pardon, Sire, I did not mean to interrupt. 


Louis Napoleon 

You are welcome, Persigny. We are discussing the matter 
of my marriage, and your views will be of value. 

[ 127 ] 


THE FLOWER OF DESTINY 


Persigny 

{Pleased.) The people of France await your decision with 
great eagerness, Sire. 

Louis Napoleon 

(Absorbed in thought, walks up stage to C., then turns.) 
I will state the case clearly to you both. {Sudden thought.) 
But first let me send for my cousins and my English guests. 
{Summons servants.) 

[Servants ascend steps, enter door, L. 3 E. 

{To first servant.) Tell Prince Napoleon and the Princess 
Clotilde to attend me here at once. {To second servant.) 
The English gentlemen are in the park. Find them, and ask 
them to join me here. 

[Exit first servant, R. 3 E. Second servant 
starts to enter “ berceau ” but meets men, then 
stops. Five Englishmen, laughing and chat¬ 
ting, enter from “ berceau .” 

Servant 

{Announcing.) Their lordships are here, Sire. 

[Englishmen cease speaking instantly. 
Princess Mathikle follows Louis Napoleon to 
C. He turns toward Englishmen. 

Louis Napoleon 

Good! I was just sending for you. — It is perhaps fitting 
that I should have some disinterested witnesses to what I am 
about to say. 


Princess Mathilde 

{Anxiously.) Do not act hastily, Louis! 

[Prince Napoleon, still sulky, enters L. 3 
E.; then Clotilde, nervous, enters L. £ E., 
top of run. Prince Napoleon descends first, 
[ 128 ] 


TABLEAU FIVE 


not seeing Princess Clotilde who hastens after 
him, down steps. Louis Napoleon stands by 
statue and watches both curiously, but im¬ 
patiently, as they descend steps and join 
group at C. 

Louis Napoleon 

(To Prince Napoleon and Princess Clotilde.) Cousins, 
(looks at Prince Napoleon and Princess Clotilde searchingly. 
Long pause.) You were good enough to express some in¬ 
terest, a few moments ago, in my matrimonial intentions. 
The whole world seems to possess equal curiosity. (Goes 
down stage. Speaks with determination.) Now it shall be 
satisfied: The lady whom I love is not a princess, and is not 
a Frenchwoman. 

[All surprised, surround him. 

Princess Mathilde 

(Imploringly.) Oh, Louis, you would not bring discredit 
upon our House! 

Louis Napoleon 

(Warmly.) Did the marriage of the great Head of our 
House with the beloved Josephine bring discredit? No. I 
am satisfied that to break away from old political traditions 
is an advantage rather than otherwise. The people have not 
forgotten that for seventy years princesses have ascended the 
throne only to see their race exiled and dispersed by war or 
revolution. But one single woman appears to have brought 
happiness, either to her husband or to her people, and she 
holds a higher place in their memory than any other. And 
that woman had no drop of royal blood in her veins. I in¬ 
tend to make of my Empress a second Josephine, Mathilde, 
and my people must accept my choice as they did that of my 
predecessor. 


Persigny 

(Respectfully.) If I may speak, Sire, might I say that — 
there is a difference, — that Napoleon I had won the people 

[ 129 ] 


THE FLOWER OF DESTINY 


by his feats of arms. He was not only their ruler but their 
idol. You, Sire, if I may be so bold {hesitates ), have yet to 
win this place in their hearts. 

Louis Napoleon 

{With decision.) You mean well, Persigny, but when 
a man has been raised before the eyes of all Europe to the 
level of ancient dynasties, he ought not to seek admission to 
their circle for the sake of forcibly intruding himself into a 
royal family. It is far better for him to be mindful of his 
own descent, to preserve his own individual character, and 
in the face of Europe frankly and openly to avenge his posi¬ 
tion of parvenu, — an honorable title when it has been 
bestowed upon him by the unanimous voice of a great and 
free people. 


Prince Napoleon 

{Sarcastically, apart.) “ The unanimous voice of a great 
and free people ” indeed. {Laughs sarcastically.) That is 
a new definition of a coup d’etat! 

Louis Napoleon 

{With restrained anger.) My marriage, cousin, is a 
private matter. The lady whom I would select is of illus¬ 
trious descent. In feeling, ^education, and remembrance of 
the blood which her father shed in the Imperial cause, she is 
French. Endowed as she is with the choicest qualities of 
heart and mind, she will be an ornament to the throne, and its 
strongest support in the hour of danger. 

Mathilde 

{Interrupting.) The Princess Czartoryska — 

Louis Napoleon 

{Not heeding.) The lady of my choice will recall all the 
virtues of the Empress Josephine, and add new ones of her 
own. I am firmly determined, if her consent can be gained, 
to say to France that I prefer to choose a consort whom I 

[ 130 ] 


TABLEAU FIVE 


love and esteem, rather than a stranger through whom I might 
possibly gain some political advantages, but such as might 
demand sacrifices on my part. Without slighting any one, I 
am following my own inclinations after careful and prudent 
reflection, and I shall not be the less powerful because I am 
my own master. 


Prince Napoleon 

(Sarcastically .) And the name of this incomparable lady, 
cousin ? 


Louis Napoleon 

I shall announce at the conclusion of the hunt. 

[Clatter of horses' hoofs outside. 

{Change of manner .) Our guests are arriving. 

[Louis Napoleon starts up steps, to plat¬ 
form. Eugenie dashes in on horseback, riding 
astride. Louis Napoleon greets her, dumb 
show, and assists her to alight. 

[Quick Curtain] 


[ 131 ] 



TABLEAU SIX 


COMPIEGNE in 1853. Time: three hours later. Scene: 

clearing in the forest of Compiegne. 

At R., low mound and set tree. Rear drop showing forest 
vista. 

At rise horses’ hoofs are heard, then voices approaching. 

[Enter Eugenie from L. Louis Napoleon's 
voice heard giving orders about horses, then 
he enters same entrance. Eugenie looking 
around comes down front while speaking. 

Louis Napoleon 

{Turning back, and speaking to groom, in woods.) Keep 
the horses there, for further orders. 

Eugenie 

{Comes down front.) This is certainly becoming serious! 
Lost in the woods, — and my horse gone lame! And worst 
of all, the further we go, the more we are lost. 

on mound at R. 


Louis Napoleon 

{Knowing where he is.) And the more we are lost, the 
surer we are of not being interrupted! But I ’ll promise you 
we ’ll not be lost long! 


Eugenie 

{With vivacity.) But think of the excitement! “Lost — 
an Emperor. Answered to the name of Napoleon III. When 
last seen was riding a bay horse. {Pointing to L.) Finder 
will be suitably rewarded, and no questions asked. Apply at 
the Tuileries, Paris!” {Laughs.) 

[ 133 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

(Laughing.) That is more like your old self than I have 
seen you since the days at Baden. 

Eugenie 

(With mock seriousness.) And I promised that the mad¬ 
cap Eugenie had been buried, never to be resurrected! But 
who could help it after that mad ride? (Rises quickly. 
Rapidly.) What a chase that old fox led us! — back and 
forth through the forest, out into the clearing, down the hill 
into the valley beneath, up the steep ascent on the other side, 
into the forest again, out of the woods into the open, and 
then the hounds burst upon him! You see I remember every 
turn. Just think of the honors I have won! This — (holds 
up the brush with mock ceremony) and the right to ride 
with the Emperor. (Pause.) Is this not enough to make one 
happy? (Sighs and drops down on mound.) 

Louis Napoleon 

(Personal, speaks seriously and earnestly.) Yes, Eugenie, 
you have won the place beside me, — 

[Eugenie tries to divert him, makes curtsey, 
but stops jesting when she sees hoza serious 
Louis Napoleon has become. 

the place I have so long yearned to give to you — not for 
this ride only, but for all time. 

[Eugenie is silent, looking into forest. 

I have waited patiently, accepting your better judgment, 
while I have been accomplishing my destiny; (passionately) 
but why should I wait longer? Why should I not crown my 
work and win you at the same time? 

Eugenie 

(Seriously.) I had hoped, Louis, that you were already 
convinced of the utter hopelessness of our positions. (Ap¬ 
peals to his reason.) You are the Emperor of the French. 
France has responded nobly to your demands (firmly), and 
you must respond as nobly to France. 

[ 134 ] 


TABLEAU SIX 


Louis Napoleon 

( With determination .) I intend to do so. 

Eugenie 

(Seriously.) Then do you not realize that for you to persist 
in your mad determination to win me can have but one inter¬ 
pretation in France? Already, through your persistence, I 
have become an object of suspicion and of the bitter gossip 
of the Court. Even this little episode, to-day, will but add 
fuel to the flames— ( Sincerely .) I love you, Louis, and I 
believe you when you tell me of your own affection, but for 
this very reason we owe it to one another to give this gossip 
no further food to feed upon. (Rises, goes to L., and peers 
through trees. 

[Horn faintly heard in distance, L. 

Louis Napoleon 

(Following Eugenie. Speaks insistently.') The more 
reason that I make you understand that I offer you no doubt¬ 
ful honor. 

[Eugenie turns towards Louis Napoleon. 

(Firmly.) France demands my marriage. (Sincerely.) 
I stand ready and eager to meet that demand, and I ask you, 
— the woman whom I love, to grant me the one ambition which 
now remains to be attained. 

[Horn heard at R., slightly nearer. 

Eugenie 

(Lovingly but firmly.) You offer it, I know, my Louis, 
but you offer what you must not give. You have accomplished 
your own destiny, but it remains for you to establish your 
family upon the throne which you have so gloriously won. 
To do this, an alliance with some Royal house is absolutely 
necessary. (Crosses to R., listens) —Ah! they are coming! 

[Horns are heard from different directions, 
coming nearer. 

[ 135 ] 


THE FLOWER OF DESTINY 


Louis Napoleon 

{Mock sternness.) And you undertake to thwart my will, 
when France has acknowledged her defeat? 

Eugenie 

{Faces Louis Napoleon. Speaks with determination.) I 
do. — To make sure that I shall succeed in preventing you 
from doing yourself and France a great wrong. 

[Horns heard again. 

I have made a resolution. {Starts to blow her horn.) 

[Louis Napoleon prevents Eugenie from 
blowing horn. Shows amusement. 

Louis Napoleon 

You still threaten me? {Going closer to Eugenie. Passion¬ 
ately. ) Ah! Eugenie — 

[Eugenie tries again to blow horn, — 
Louis Napoleon still prevents. 

Eugenie 

{Moves away from Louis Napoleon. Pleadingly.) Do 
not try to dissuade me. {Quickly blows horn. Speaks de¬ 
cidedly.) I shall leave Paris to-morrow. — Napoleon III, 
the Emperor, shall learn that a woman’s love for Louis Na¬ 
poleon, the man, is stronger than the Emperor’s determina¬ 
tion to wreck his own destiny. 

[During last speech horses' hoofs are heard 
on turf and blowing of horns, showing near 
approach of riders. — Persigny enters -first, 
while others make way through brush and 
thicket from unseen paths with shouts and 
hullos showing that the object of their search 
is found. Persigny, Mocquard, Morny, and 
Englishmen surround Louis Napoleon. The 
women. Prince Napoleon, and other men cast 
sneering glances at Eugenie, all of which Louis 
Napoleon sees while conversing with Persigny. 
[ 136 ] 


TABLEAU SIX 


Persigny 

(Breathlessly.) Ah! Sire! We thought that you had lost 
your way! 

Louis Napoleon 

(Significantly .) On the contrary, dear friend, I have at 
last found it. 

Eugenie 

(Aside. Anxiously .) What do you mean, Louis? What 
are you going to do? (Drops glove.) 


Louis Napoleon 

(Kindly but firmly.) This time I shall neither confide in 
you, nor ask your advice. (Turns to Prince Napoleon.) 
Cousin, be good enough to relieve Mademoiselle de Monti jo 
of the brush, which she so gloriously won. 

[Prince Napoleon obeys sulkily. 

(To Clotilde.) Cousin Clotilde, Mademoiselle de Monti jo 
has dropped her glove. Be kind enough to hand it to her. 

[Princess Clotilde hesitates, but obeys at 
sight of Louis Napoleon's determination. 

(To Eugenie.) Mademoiselle, you have won the honors of 
the hunt. Since I may not have the brush, will you not reward 
me with the violets you are wearing? 

[Wonderingly, Eugenie disengages violets 
from habit, and hands them to Louis Napoleon. 
Quickly tearing them apart, he fashions them 
into a crown. 

Ladies and gentlemen of the Court (turning to his guests ), 
I have the honor to announce to you and to France that Made¬ 
moiselle de Monti jo will share with me the Imperial throne. 

[All show consternation, then slowly make 
their obeisances to Eugenie, — the family re¬ 
luctantly, the Englishmen enthusiastically. 

[ 137 ] 


THE FLOWER OF DESTINY 


Eugenie 

( Weakly, yet proudly.) Ah! Sire, — I am no stronger 
than France! 

[Louis Napoleon places crown of violets 
upon Eugenie’s head. 

Louis Napoleon 

Accept these flowers of destiny — my Empress; — wear this 
crown until France shall present you with another! ( Puts 
arms around Eugenie , who yields to his embrace. Then turns 
to D’Orsay.) Now, D’Orsay, I have nothing left for which 
to strive! 


[Curtain] 


[ 138 ] 























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